On May 17, 2024, the song "Keyboard Concerto No. 4 in A Major, BWV 1055: I. Allegro" was released by Johann Sebastian Bach, Tianqi Du, Academy of St. Martin in the Fields, Jonathan Bloxham. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Bach: Keyboard Concerto No. 4 in A Major, BWV 1055: I. Allegro and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Keyboard Concerto No. 4 in A Major, BWV 1055: I. Allegro is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Keyboard Concerto No. 4 in A Major, BWV 1055: I. Allegro by Johann Sebastian Bach, Tianqi Du, Academy of St. Martin in the Fields, Jonathan Bloxham is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Cello Concerto in D Minor, RV 405: I. [Allegro] | Antonio Vivaldi, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM | ||
Handel / Orch. Connah: Serse, HWV 40, Act 1: Arioso. "Ombra mai fù" | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 1 | 7B | 135 BPM | ||
Phantasy for Violin and Chamber Orchestra | Ina Boyle, Daniel Hope, Thessaloniki State Symphony Orchestra, Daniel Geiss | E Minor | 1 | 9A | 92 BPM | ||
Estrellita (Arr. Abril & Barrueco for Guitar) | Manuel Ponce, Alexandra Whittingham | D Major | 0 | 10B | 113 BPM | ||
Johannes-Passion, BWV 245.1: 32. Aria: Mein teurer Heiland | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, Tobias Berndt | D Major | 2 | 10B | 172 BPM | ||
Night (Arr. for Cello & Piano by Tom Poster) | Florence Beatrice Price, Laura van der Heijden, Jâms Coleman | G Major | 0 | 9B | 91 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: I. Jig | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 151 BPM | ||
6 Piano Pieces, Op. 118: No. 2 in A Major. Intermezzo | Johannes Brahms, Hélène Grimaud | D♭ Major | 1 | 3B | 172 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Concerto for 3 Violins in F Major, RV 551: III. Allegro | Antonio Vivaldi, Anne-Sophie Mutter, Elias David Moncado, Mohamed Hiber, Mutter's Virtuosi | F Major | 4 | 7B | 143 BPM |
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