"Handel / Orch. Connah: Serse, HWV 40, Act 1: Arioso. "Ombra mai fù"" by George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields was released on October 27, 2023. With this song being about 5 minutes long, at 5:11, "Handel / Orch. Connah: Serse, HWV 40, Act 1: Arioso. "Ombra mai fù"" by George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 50 in the song's album "Sir Neville Marriner Conducts Handel". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Handel / Orch. Connah: Serse, HWV 40, Act 1: Arioso. "Ombra mai fù"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Handel / Orch. Connah: Serse, HWV 40, Act 1: Arioso. "Ombra mai fù" by George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Major, Op. 2, "The Chaplet": III. Tempo di Menuetto | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 99 BPM | ||
Curación | Juan Pablo Fernández Ramos | D Minor | 0 | 7A | 67 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
6 Kinderstücke op.72: 2. Andante sostenuto, MWV U 170 | Felix Mendelssohn, Daniel Barenboim | E♭ Major | 0 | 5B | 105 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Philippa Davies, Thelma Owen | A♭ Minor | 0 | 1A | 67 BPM | ||
Organ Concerto No. 6 in B-Flat Major, Op. 4, No. 6, HWV 294 (version for harp and orchestra): I. Allegro | George Frideric Handel, Andrea Vigh, Budapest Strings, Karoly Botvay | B♭ Major | 1 | 6B | 95 BPM | ||
Orchestral Suite No. 1, RT VI/6: II. Berceuse | Frederick Delius, BBC Concert Orchestra, John Andrews | G Major | 0 | 9B | 133 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: II. Var. I. Un poco più Mosso | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | C Major | 4 | 8B | 182 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 3, Carol. Andante semplice | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | B♭ Major | 0 | 6B | 78 BPM |
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