Felix Mendelssohn, Daniel Barenboim's '6 Kinderstücke op.72: 2. Andante sostenuto, MWV U 170' came out on January 1, 1974. With 6 Kinderstücke op.72: 2. Andante sostenuto, MWV U 170 being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Daniel Barenboim's "Mendelssohn: Songs without Words" album is number 26 out of 58. In terms of popularity, 6 Kinderstücke op.72: 2. Andante sostenuto, MWV U 170 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 6 Kinderstücke op.72: 2. Andante sostenuto, MWV U 170 by Felix Mendelssohn, Daniel Barenboim to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Consolations, S. 172: No. 5 in E Major (Andantino) | Franz Liszt, Daniel Barenboim | E Major | 0 | 12B | 81 BPM | ||
Le Carnaval des Animaux, R.125: 11. Pianistes | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | C Major | 1 | 8B | 87 BPM | ||
Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM | ||
24 Preludes, Op. 11: No. 21 in B-Flat Major | Alexander Scriabin, Evgeny Zarafiants | G Major | 0 | 9B | 141 BPM | ||
Debussy: Children's Corner, CD 119, L. 113: No. 3, Serenade for the Doll | Claude Debussy, Monique Haas | A♭ Major | 0 | 4B | 73 BPM | ||
Das Wohltemperierte Klavier: Book 1, BWV 846-869: Praeludium 21 | Johann Sebastian Bach, Maurizio Pollini | E♭ Major | 1 | 5B | 80 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM | ||
Lieder ohne Worte, Op.67: No. 6. Allegro non troppo in E, MWV U 188 - "Cradle Song" | Felix Mendelssohn, Daniel Barenboim | E Major | 1 | 12B | 84 BPM | ||
6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso) | Franz Liszt, Daniel Barenboim | B Major | 0 | 1B | 69 BPM | ||
Sonatina in G Major, Op. 36 No. 2: III. Allegro | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 105 BPM |
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