William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones made "Suite of Scottish Dances: VI. Carleton House" available on July 29, 2008. With Suite of Scottish Dances: VI. Carleton House being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 18 out of 19 in Alwyn: Concerto Grosso No. 1 / Pastoral Fantasia / 5 Preludes / Autumn Legend by William Alwyn, David Lloyd-Jones. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Suite of Scottish Dances: VI. Carleton House is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Suite of Scottish Dances: VI. Carleton House by William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones is Presto (very, very fast), since this song has a tempo of 200 BPM. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
2 Aquarelles: No. 1. Lento, ma non troppo | Frederick Delius, Eric Fenby, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 88 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Gnossiennes: No. 2 - Avec étonnement | Erik Satie, Pascal Rogé | D Minor | 0 | 7A | 67 BPM | ||
Suite in B-Flat Major, Nowak 34 (Excerpts): IV. Finale. Sehr schnell | Hans Rott, Gürzenich Orchester Köln, Christopher Ward | B♭ Major | 2 | 6B | 93 BPM | ||
Children's Album, Op. 19 (Excerpts): No. 2, Music Box | Tatiana Nikolayeva, Hiroko Ishimoto | D Major | 1 | 10B | 184 BPM |
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