"Perfunde coeli rore" by Josquin des Prez, Bernard Fabre-Garrus, Ensemble Labyrinthes, Les saqueboutiers de Toulouse, Maitrise Notre-Dame De Paris was released on January 1, 1997. Since Perfunde coeli rore is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 11 in Des Prez: Missa Hercules Dux Ferrariae by Josquin des Prez, Bernard Fabre-Garrus, Les saqueboutiers de Toulouse, Maitrise Notre-Dame De Paris. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Perfunde coeli rore's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Perfunde coeli rore by Josquin des Prez, Bernard Fabre-Garrus, Ensemble Labyrinthes, Les saqueboutiers de Toulouse, Maitrise Notre-Dame De Paris is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Frescobaldi: Messa sopra l'aria della monica: IV. Sanctus | Girolamo Frescobaldi, Choir of King's College, Cambridge, Stephen Cleobury | G Minor | 1 | 6A | 127 BPM | ||
La Déploration de Johan Okeghem | Josquin des Prez, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
Selig sind, die da geistlich arm sind | Johann Hermann Schein, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 81 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM | ||
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
Dulces exuviae | Marbrianus de Orto, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 67 BPM | ||
Quem vidistis pastores | Giovanni Bassano, Les Traversées Baroques, Etienne Meyer | G Minor | 2 | 6A | 98 BPM | ||
Josquin: Missa Hercules Dux Ferrarie - 1a. Kyrie 1 | Josquin des Prez, The Tallis Scholars, Peter Phillips | F Major | 1 | 7B | 109 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM |
Section: 0.6193258762359619
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