Johann Sebastian Bach, Yo-Yo Ma made "Cello Suite No. 3 in C Major, BWV 1009: II. Allemande" available on 1983. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 36 in Bach: Unaccompanied Cello Suites (Remastered) by Johann Sebastian Bach, Yo-Yo Ma. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Cello Suite No. 3 in C Major, BWV 1009: II. Allemande is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Cello Suite No. 3 in C Major, BWV 1009: II. Allemande by Johann Sebastian Bach, Yo-Yo Ma is Lento (slowly), since this song has a tempo of 56 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Concerto in B-flat Major for Cello, Strings and Basso continuo, RV 423: I. Allegro | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | A Major | 2 | 11B | 114 BPM | ||
Concerto in F Major for Flute & Strings, Op. 10, No. 1, RV 433 "La tempesta di mare": 2. Largo | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | E Major | 0 | 12B | 84 BPM | ||
Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): IV. Allegro | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | A♭ Minor | 4 | 1A | 109 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 18 in C | Niccolò Paganini, Itzhak Perlman | C Major | 2 | 8B | 103 BPM | ||
Matthäus-Passion, BWV 244, Pt. 2: No. 46, Chorale. "Wie wunderbarlich ist doch diese Strafe!" (Chorus) | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | A♭ Major | 1 | 4B | 74 BPM | ||
La Vida Breve: Danza Española No. 1 (Arr. for Harp & Guitar) | Manuel de Falla, Duo Multicorde | A Minor | 2 | 8A | 96 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): I. Vivace | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | E♭ Major | 2 | 5B | 89 BPM | ||
Concerto for Violoncello and Orchestra in D major: III. Larghetto, con poco moto | Leonardo Leo, Sol Gabetta, Andrés Gabetta | B Minor | 0 | 10A | 77 BPM |
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