"L'alba separa dalla luce l'ombra - Voice" by Francesco Paolo Tosti, Carlo Bergonzi was released on 1959. The duration of L'alba separa dalla luce l'ombra - Voice is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. L'alba separa dalla luce l'ombra - Voice's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "The Great Carlo Bergonzi". In this album, this song's track order is #12. L'alba separa dalla luce l'ombra - Voice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'alba separa dalla luce l'ombra - Voice by Francesco Paolo Tosti, Carlo Bergonzi having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte, K.620 / Act 1: O zittre nicht...Ist's auch denn Wirklichlkeit | Wolfgang Amadeus Mozart, Cristina Deutekom, Stuart Burrows, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 3 | 5B | 126 BPM | ||
Rosa | Saint Louis International Jazz Ensemble, Francesco Paolo Tosti | G Major | 5 | 9B | 104 BPM | ||
Delibes: Lakmé, Act II: "Par les dieux inspirés" - Air des clochettes. "Où va la jeune hindoue" (Lakmé, Nilakantha, Chorus) | Léo Delibes, Natalie Dessay, Choeur Du Capitole De Toulouse, José van Dam, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 1 | 11B | 124 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1, No. 5: Una voce poco fa | Gioachino Rossini, Jesús López-Cobos, Orchestre de Chambre de Lausanne | E Major | 1 | 12B | 68 BPM | ||
Per lei: No. 6, Ed ecco il sogno | Francesco Paolo Tosti, Carlo Bergonzi, Orchestra Da Camera Di Roma, Edoardo Muller | G Major | 1 | 9B | 104 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Las Hijas del Zebedeo: Carceleras | Ruperto Chapí, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | D Minor | 1 | 7A | 82 BPM |
Section: 0.6095144748687744
End: 0.6131880283355713