Don Juan, Op. 20 - Redbook Stereo - Richard Strauss, Fritz Reiner Information

Acousticness
97%
Danceability
15%
Energy
23%
Instrumentalness
90%
Liveness
27%
Loudness
77%
Speechiness
3%
Valence
4%
Popularity
Loudness
-13.953 dB

Summary

"Don Juan, Op. 20 - Redbook Stereo" by Richard Strauss, Fritz Reiner was released on 1954. Don Juan, Op. 20 - Redbook Stereo appears to be safe for all ages as it is not explicit. There are a total of 17 in the song's album "Strauss: Also sprach Zarathustra, Op. 30; Don Juan, Op. 20; Le Bourgeois Gentilhomme: Suite, Op. 60 - Sony Classical Masters". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Don Juan, Op. 20 - Redbook Stereo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Don Juan, Op. 20 - Redbook Stereo BPM

With Don Juan, Op. 20 - Redbook Stereo by Richard Strauss, Fritz Reiner having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Don Juan, Op. 20 - Redbook Stereo Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphonia domestica, Op. 53, TrV 209: Wiegenlied - by Richard Strauss, Weimar Staatskapelle, Antoni WitSymphonia domestica, Op. 53, TrV 209: Wiegenlied -Richard Strauss, Weimar Staatskapelle, Antoni WitG Major09B78 BPM
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonSchoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquiloArnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonE Minor19A125 BPM
24 Préludes, Op.28: 15. In D Flat Major by Frédéric Chopin, Martha Argerich24 Préludes, Op.28: 15. In D Flat MajorFrédéric Chopin, Martha ArgerichD♭ Major03B95 BPM
Beethoven: Symphony No. 6 in F Major, Op. 68 Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. AllegrettoLudwig van Beethoven, Philadelphia Orchestra, Riccardo MutiD Minor37A107 BPM
4 Lieder, Op. 27, TrV 170: 4. Morgen! by Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka Salonen4 Lieder, Op. 27, TrV 170: 4. Morgen!Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka SalonenG Major09B171 BPM
In the Steppes of Central Asia by Alexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyIn the Steppes of Central AsiaAlexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyA Major011B69 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16, Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": IV. Saltarello. PrestoFelix Mendelssohn, London Symphony Orchestra, Claudio AbbadoA Minor18A100 BPM
Don Quixote, Op. 35, TrV 184: IX. Var. 6. Schnell by Richard Strauss, Yo-Yo Ma, Steven Ansell, Boston Symphony Orchestra, Andris NelsonsDon Quixote, Op. 35, TrV 184: IX. Var. 6. SchnellRichard Strauss, Yo-Yo Ma, Steven Ansell, Boston Symphony Orchestra, Andris NelsonsB Major11B85 BPM
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) by Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleDie tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul)Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleB♭ Major16B83 BPM
Elgar: Variations on an Original Theme, Op. 36, Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante)Edward Elgar, London Symphony Orchestra, Sir Adrian BoultG Minor16A178 BPM
ISRC
USBC10602958
Label
L-M Records/RCA Records

Section: 0.8301024436950684

End: 0.8354377746582031