On August 21, 2007, the song "L'Orfeo, Favola in Musica (Opera en 5 Actes), SV 318 - Acte I, scène 1: Toccata" was released by Claudio Monteverdi, Rinaldo Alessandrini, Concerto Italiano. With L'Orfeo, Favola in Musica (Opera en 5 Actes), SV 318 - Acte I, scène 1: Toccata being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini's "Monteverdi: Orfeo" album is number 1 out of 33. On top of that, France appears to be the country where this track was created. In terms of popularity, L'Orfeo, Favola in Musica (Opera en 5 Actes), SV 318 - Acte I, scène 1: Toccata is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of L'Orfeo, Favola in Musica (Opera en 5 Actes), SV 318 - Acte I, scène 1: Toccata by Claudio Monteverdi, Rinaldo Alessandrini, Concerto Italiano to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: Canzona | Henry Purcell, Philip Ledger, The Philip Jones Brass Ensemble | B♭ Major | 0 | 6B | 128 BPM | ||
Ciaccona | Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 1 | 8A | 80 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Concerto for 2 Mandolins in G Major, RV 532: I. Allegro | Antonio Vivaldi, Enrico Parizzi, Ludovico Minasi, Riccardo-Masahide Minasi, Thomas Boysen, Thor-Harald Johnsen, Valerio Losito, Rolf Lislevand | D♭ Major | 3 | 3B | 116 BPM | ||
Se la mia morte brami, madrigal for 5 voices (Book 6), W. 6/13 | Carlo Gesualdo, Rinaldo Alessandrini, Concerto Italiano | E Minor | 0 | 9A | 137 BPM | ||
Lachrimae Antiquae Novae | Jordi Savall, John Dowland | A Minor | 1 | 8A | 94 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Le Divertissement Royal de Versailles, LWV 38: Bourrée du Mariage Forcé (1664-1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Major | 3 | 7B | 165 BPM | ||
Concerto in C Major, RV 554a: II. Largo | Antonio Vivaldi, Rinaldo Alessandrini, Vicari Francesca, Concerto Italiano, Paolo Ciociola | D Major | 1 | 10B | 85 BPM |
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