Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations made "Le Divertissement Royal de Versailles, LWV 38: Bourrée du Mariage Forcé (1664-1670)" available on January 1, 1999. With Le Divertissement Royal de Versailles, LWV 38: Bourrée du Mariage Forcé (1664-1670) being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Jordi Savall's "Jean-Baptiste Lully: L'orchestre du Roi Soleil" album is number 15 out of 31. The popularity of Le Divertissement Royal de Versailles, LWV 38: Bourrée du Mariage Forcé (1664-1670) is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Le Divertissement Royal de Versailles, LWV 38: Bourrée du Mariage Forcé (1664-1670) by Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations to be Vivace (lively and fast) because the track has a tempo of 165 BPM, a half-time of 82BPM, and a double-time of 330 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Alcione, Acte I Scène 2: "Aimez-vous sans alarmes" | Marin Marais, Jordi Savall, Léa Desandre, Cyril Auvity, Le Concert Des Nations | G Major | 1 | 9B | 93 BPM | ||
Te Deum for Soloists, Chorus and Orchestra, H. 146: I. Prélude. Rondeau | Marc-Antoine Charpentier, Les Musiciens du Louvre, Marc Minkowski | C Major | 6 | 8B | 95 BPM | ||
Folias Gallegas | Santiago De Murcia, Jordi Savall, Hespèrion XXI | D Major | 1 | 10B | 147 BPM | ||
Premier Concert: Sarabande - Mesuré (Couperin) | Le Concert Des Nations, Jordi Savall | F Minor | 1 | 4A | 115 BPM | ||
Passamezzo Antico: Zarabanda (Recercada V) | Diego Ortiz, Jordi Savall | F Major | 1 | 7B | 112 BPM | ||
Suite En Si Mineur: Tombeau Pour Mons.r De Lully, II.95 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | B♭ Minor | 1 | 3A | 87 BPM | ||
Recercada tercera sobre tenores Italianos, IDO 27, "Passamezzo moderno" | Diego Ortiz, Joel Frederiksen | E Major | 0 | 12B | 126 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM |
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