"ドビュッシー:亜麻色の髪の乙女(ハルトマン編)" by Claude Debussy, Emiri Miyamoto was released on July 20, 2022. The duration of ドビュッシー:亜麻色の髪の乙女(ハルトマン編) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. ドビュッシー:亜麻色の髪の乙女(ハルトマン編)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 12 in classique deux by Emiri Miyamoto. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. ドビュッシー:亜麻色の髪の乙女(ハルトマン編) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ドビュッシー:亜麻色の髪の乙女(ハルトマン編) by Claude Debussy, Emiri Miyamoto is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Memories of a Promenade II | Olga Scheps, Flying Steps | C Minor | 0 | 5A | 74 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 3 Aspen | Jean Sibelius, Håvard Gimse | A♭ Minor | 0 | 1A | 0 BPM | ||
Mozart / Arr. Grieg for Two Pianos: Piano Sonata No. 16 in C Major, K. 545 "Semplice": I. Allegro (Live) | Wolfgang Amadeus Mozart, Martha Argerich, Piotr Anderszewski | D Minor | 0 | 7A | 121 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 173 BPM | ||
2 Bagatelles, Op. 173: No. 2. Andantino | Valentin Silvestrov, Elisaveta Blumina | C Major | 0 | 8B | 70 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM |
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