Kurt Weill, Théophile Alexandre, Quatuor Zaïde's 'Marie-Galante ou l'Exil sans retour: Youkali [part 1] (Arr. for Countertenor & String Quartet by Eric Mouret)' had a release date set for January 21, 2022. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "No(s) Dames". In this album, this song's track order is #23. Furthermore, we believe that the track originated from France. Based on our statistics, Marie-Galante ou l'Exil sans retour: Youkali [part 1] (Arr. for Countertenor & String Quartet by Eric Mouret)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Marie-Galante ou l'Exil sans retour: Youkali [part 1] (Arr. for Countertenor & String Quartet by Eric Mouret) by Kurt Weill, Théophile Alexandre, Quatuor Zaïde having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trois mélodies, Op. 23: No. 1, Les berceaux | Dilyana Georgieva, Galina Apostolova | B♭ Major | 1 | 6B | 176 BPM | ||
Campana: È già rotto lo strale | Francesca Campana, Christina Pluhar, L'Arpeggiata, Luciana Mancini | C Major | 2 | 8B | 118 BPM | ||
逢いたくていま | Jun Sasaki, MISIA, 中丸三千繪 | C Major | 2 | 8B | 84 BPM | ||
Schwanenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | G Minor | 1 | 6A | 132 BPM | ||
SV163: Lamento Della Ninfa | Claudio Monteverdi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
Le Carnaval des animaux - L'éléphant | Le carnaval des animaux | G Minor | 1 | 6A | 106 BPM | ||
Un air de faubourg | Bernard Marly | C Major | 3 | 8B | 126 BPM | ||
Kanonensong (1.Akt) (In der Erinnerung an ihre gem | Bertolt Brecht, Kurt Weill | D♭ Minor | 3 | 12A | 100 BPM | ||
Apám Emlékére | Sándor Járóka And His Gypsy Band | F♯ Minor | 3 | 11A | 92 BPM | ||
Who We Are, Pt. 1: Beginning | Marius Neset, Leif Ove Andsnes, Louisa Tuck, Ingrid Neset | B Minor | 1 | 10A | 70 BPM |