Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Fugue: Allegro - Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz Information

Acousticness: 97%
Danceability: 19%
Energy: 6%
Instrumentalness: 88%
Liveness: 10%
Loudness: 62%
Speechiness: 3%
Valence: 20%
Popularity: 15%
Loudness: -22.808 dB

Summary

Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz's 'Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Fugue: Allegro' came out on March 6, 2012. Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Fugue: Allegro is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The song is number 9 out of 12 in Bach: Orchestral transcriptions by Respighi & Elgar by Ottorino Respighi, Gerard Schwarz. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Fugue: Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Fugue: Allegro BPM

The tempo marking of Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Fugue: Allegro by Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Fugue: Allegro Key

This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	A♭ Major	1	4B	118 BPM
Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse	Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin	G Major	2	9B	98 BPM
3 Romanzen, Op. 94: III. Nicht schnell	Robert Schumann, Céline Moinet, Florian Uhlig	D Major	0	10B	169 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Tsarskaya nevesta (The Tsar's Bride): Overture	Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz	A Minor	1	8A	78 BPM
Concerto for Viola and Orchestra: I. Andante comodo	William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes	A Minor	1	8A	102 BPM
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento	Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein	G Major	2	9B	124 BPM
Organ Concerto in G Minor, FP 93: II. Allegro giocoso	Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus	G Major	1	9B	84 BPM
Symphony No. 3 in F Major, Op. 90: II. Andante	Johannes Brahms, Berliner Philharmoniker, Claudio Abbado	C Major	0	8B	82 BPM
Suite for Viola & Small Orchestra: I. Prelude	Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei	C Major	0	8B	91 BPM

ISRC: HKI191124009
Label: L-M Records/RCA Records

Section: 0.6635797023773193

End: 0.6696681976318359