"Mass / XV. Agnus Dei: b. "Dona nobis, nobis pacem, pacem dona" - Live" by Leonard Bernstein, Kevin Vortmann, E. Clayton Cornelious, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, Westminster Symphonic Choir was released on March 16, 2018. The duration of Mass / XV. Agnus Dei: b. "Dona nobis, nobis pacem, pacem dona" - Live is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Mass / XV. Agnus Dei: b. "Dona nobis, nobis pacem, pacem dona" - Live's duration is considered a little bit shorter than the average duration of a typical track. The song is number 31 out of 39 in Bernstein: Mass (Live) by Leonard Bernstein, Philadelphia Orchestra, Yannick Nézet-Séguin. The popularity of Mass / XV. Agnus Dei: b. "Dona nobis, nobis pacem, pacem dona" - Live is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass / XV. Agnus Dei: b. "Dona nobis, nobis pacem, pacem dona" - Live by Leonard Bernstein, Kevin Vortmann, E. Clayton Cornelious, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, Westminster Symphonic Choir is Presto (very, very fast), since this song has a tempo of 199 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde, WWV 90: Prelude to Act 1. Langsam und smachtend - Live | Richard Wagner, Bavarian Radio Symphony Orchestra, Leonard Bernstein | C Major | 1 | 8B | 77 BPM | ||
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 60 BPM | ||
Porgy and Bess / Act 1: "Summertime" | George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel | B Minor | 2 | 10A | 83 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM | ||
Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro - Live | Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein | D Minor | 1 | 7A | 148 BPM | ||
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | ||
Walking the Dog | George Gershwin, Iain Sutherland Concert Orchestra, Iain Sutherland | C Major | 2 | 8B | 120 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM |
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