Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks's 'Lieder ohne Worte, Op. 102: No. 5 Allegro vivace (Arr. Ottensamer for Clarinet and Strings)' came out on June 18, 2021. With Lieder ohne Worte, Op. 102: No. 5 Allegro vivace (Arr. Ottensamer for Clarinet and Strings) being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 21 in Blue Hour: Mendelssohn Edition by Felix Mendelssohn, Andreas Ottensamer, Yuja Wang, Julien Quentin, Schumann Quartett, Gunars Upatnieks. The popularity of Lieder ohne Worte, Op. 102: No. 5 Allegro vivace (Arr. Ottensamer for Clarinet and Strings) is currently not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Lieder ohne Worte, Op. 102: No. 5 Allegro vivace (Arr. Ottensamer for Clarinet and Strings) by Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks is Vivace (lively and fast), since this song has a tempo of 161 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op.30: No. 1. Andante espressivo In E Flat, MWV U 103 | Felix Mendelssohn, Daniel Barenboim | E♭ Major | 0 | 5B | 69 BPM | ||
3 Romances sans paroles, Op. 7: 2. Désespoir | Henri Vieuxtemps, Janine Jansen, Antonio Pappano | A♭ Major | 5 | 4B | 100 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio | Joseph Haydn, Gautier Capuçon, Mahler Chamber Orchestra, Daniel Harding | A Major | 0 | 11B | 134 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Jacqueline du Pré, Daniel Barenboim | B♭ Minor | 2 | 3A | 94 BPM | ||
Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
Masques et Bergamasques Suite, Op. 112: I. Ouverture | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F Major | 1 | 7B | 135 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: II. Variation I. | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Cello Concerto in G Major, RV 414: II. Largo | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | D Major | 4 | 10B | 110 BPM | ||
12 Études caractéristiques, Op. 2: No. 6 in F-Sharp Major, "Si oiseau j'etais, a toi je volerais!" | Adolf von Henselt, Sergio Gallo | F♯ Major | 1 | 2B | 100 BPM |
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