"Dendermonde, MS COD. 9 f. 159r: De Angelis – O gloriossimi, lux vivens, Angeli, Antiphona" by Hildegard von Bingen, Dous Mal was released on January 1, 2000. Dendermonde, MS COD. 9 f. 159r: De Angelis – O gloriossimi, lux vivens, Angeli, Antiphona is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. This song is part of Von Bingen: The Dendermonde Codex by Hildegard von Bingen, Dous Mal. The song's track number on the album is #6 out of 8 tracks. Based on our data, France was the country where this track was produced or recorded. The popularity of Dendermonde, MS COD. 9 f. 159r: De Angelis – O gloriossimi, lux vivens, Angeli, Antiphona is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Dendermonde, MS COD. 9 f. 159r: De Angelis – O gloriossimi, lux vivens, Angeli, Antiphona by Hildegard von Bingen, Dous Mal has a tempo of 176 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Dendermonde, MS COD. 9 f. 159r: De Angelis – O gloriossimi, lux vivens, Angeli, Antiphona being at 176 BPM, the half-time would be 88 BPM with a double-time of 352 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nunc gaudeant materna viscera (Antiphona) | Hildegard von Bingen, La Reverdie | D Major | 1 | 10B | 72 BPM | ||
Frogg Galliard | Hopkinson Smith, John Dowland | G Major | 2 | 9B | 119 BPM | ||
There Will Come Soft Rains | Ēriks Ešenvalds, The Pacific Lutheran Choir Of The West, Richard Nance | A♭ Major | 1 | 4B | 123 BPM | ||
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
Sisask : Gloria Patri... 24 Hymns for Mixed Choir : XVII Dominus vobiscum | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D Major | 0 | 10B | 109 BPM | ||
Sanctum Et Immaculata | Monks Of The Abbey Of Notre Dame | E Minor | 0 | 9A | 101 BPM | ||
Viderunt omnes No. 2: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | Léonin, Tonus Peregrinus, Antony Pitts | F Minor | 1 | 4A | 134 BPM | ||
Hildegard of Bingen: Mattins Antiphons for St Ursula | Hildegard von Bingen, Girl Choristers & Lay Clerks Of Winchester Cathedral, Emily Dickens, Sarah Baldock, Tempe Nell, Elizabeth French, Josie Filmer | E Major | 0 | 12B | 127 BPM | ||
Liturgy of St. John Chrysostom: No. 4, Only-Begotten Son (The Hymn of Justinian) | Benedict Sheehan, The Saint Tikhon Choir | F Minor | 1 | 4A | 138 BPM |
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