- BPM
- 136
- Key
- A♭ Major
- Camelot
- 4B
Carnival of the Animals (after C. Saint-Saens): VI. Kangaroos - John Morris Russell, Cincinnati Pops Orchestra Information
- Acousticness
- 99%
- Danceability
- 40%
- Energy
- 1%
- Instrumentalness
- 63%
- Liveness
- 9%
- Loudness
- 57%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 0%
- Loudness
- -25.975 dB
Summary
"Carnival of the Animals (after C. Saint-Saens): VI. Kangaroos" by John Morris Russell, Cincinnati Pops Orchestra was released on November 11, 2014. With Carnival of the Animals (after C. Saint-Saens): VI. Kangaroos being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 31 in the song's album "Russell: Carnival of the Animals". In this album, this song's track order is #5. Based on our statistics, Carnival of the Animals (after C. Saint-Saens): VI. Kangaroos's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Carnival of the Animals (after C. Saint-Saens): VI. Kangaroos BPM
With Carnival of the Animals (after C. Saint-Saens): VI. Kangaroos by John Morris Russell, Cincinnati Pops Orchestra having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
Carnival of the Animals (after C. Saint-Saens): VI. Kangaroos Key
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Variation 2: I. The Beginning of the End | Matthew Slater, London Metropolitan Orchestra | A♭ Major | 1 | 4B | 131 BPM | |
 | Síncrono | João Marcondes, Camerata Inaugural | C Major | 1 | 8B | 200 BPM | |
 | Rivulet of Truth | Danke Timi Briggs | G Minor | 2 | 6A | 121 BPM | |
 | Ils sont tombés (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Kamo Seyranyan, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | |
 | Otoño Porteño (Buenos Aires Autumn) | The Royal Wind Music | F♯ Major | 1 | 2B | 113 BPM | |
 | String Quartet N 20 Mov 1 Mazurka Version 2 | Luca Schettino | C Minor | 2 | 5A | 150 BPM | |
 | Verdi: Rigoletto, Act 3: "La donna è mobile" (Instrumental Version, Arr. Pryce Jackman) | Giuseppe Verdi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM | |
 | Presto Paradigm | Selena Veles | E Minor | 0 | 9A | 114 BPM | |
 | Sergei's Shuffle | ron davis, John Morris Russell, The Windsor Symphony Orchestra | F♯ Minor | 3 | 11A | 81 BPM | |
 | 6 Pastoral Dances, Op. 40: No. 2. Waltz | Arnold Rosner, London Philharmonic Orchestra, David Amos | A Minor | 0 | 8A | 178 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9543886184692383
End: 0.9581425189971924