Camille Thomas, Kamo Seyranyan, Sergey Smbatyan, Armenian State Symphony Orchestra's 'Ils sont tombés (Arr. for Cello and Orchestra by Martin Ulikhanyan)' had a release date set for May 17, 2024. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 16 in Aznavouriana by Camille Thomas. Going off of the ISRC code of this track, we detected that the origin of this track is from Armenia. Ils sont tombés (Arr. for Cello and Orchestra by Martin Ulikhanyan) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ils sont tombés (Arr. for Cello and Orchestra by Martin Ulikhanyan) by Camille Thomas, Kamo Seyranyan, Sergey Smbatyan, Armenian State Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio in F Minor, Op. 18: III. Vif: Tempo de valse | Albéric Magnard, Solenne Païdassi, Camille Thomas, Laurent Wagschal | D♭ Major | 1 | 3B | 71 BPM | ||
Zanetta, S. 33 (Excerpts): Act III Entr'acte | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | A♭ Major | 2 | 4B | 110 BPM | ||
The Rain of Lights | John Van Geem | D♭ Major | 3 | 3B | 99 BPM | ||
Wesendonck Lieder, WWV 91: No. 1, Der Engel (Orch. Mottl) | Richard Wagner, Joseph Calleja, Malta Philharmonic Orchestra, Sergey Smbatyan | C Major | 3 | 8B | 87 BPM | ||
Renaissance Concerto: IV. Jouissance | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Raymonda, Act III: Grand Pas de Deux, Pas Classique Hongrois | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | F Minor | 0 | 4A | 82 BPM | ||
Stabat Mater: Cujus animam gementem | Gioachino Rossini, Joseph Calleja, Malta Philharmonic Orchestra, Sergey Smbatyan | B Minor | 2 | 10A | 125 BPM | ||
El Otro Gran Conflicto | Bulruk | A Minor | 5 | 8A | 100 BPM | ||
Albumblätter, Op. 39: No. 2, Andante Sostenuto | Hans Sitt, Gabriel Marin, Ana Flávia Frazão | B♭ Minor | 1 | 3A | 119 BPM | ||
Zigeunerweisen, Op. 20: III. Un peu plus lent | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | C Minor | 0 | 5A | 88 BPM |