Edward Elgar, Royal Philharmonic Orchestra, Norman Del Mar's '"Pomp And Circumstance," Op.39: March, No.1 In D' came out on January 1, 1976. "Pomp And Circumstance," Op.39: March, No.1 In D is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The song is number 16 out of 20 in Elgar: Enigma Variations; Pomp and Circumstance by Edward Elgar, Royal Philharmonic Orchestra, Norman Del Mar. Based on our statistics, "Pomp And Circumstance," Op.39: March, No.1 In D's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of "Pomp And Circumstance," Op.39: March, No.1 In D by Edward Elgar, Royal Philharmonic Orchestra, Norman Del Mar is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Colors of the Wind - From "Pocahontas" | Royal Philharmonic Orchestra | F♯ Major | 2 | 2B | 104 BPM | ||
Bizet: Carmen: Prelude - Act One | Georges Bizet, Orchestra of the Royal Opera House, Covent Garden | A Minor | 3 | 8A | 118 BPM | ||
Pique Dame: Overture | Franz von Suppé, Gustavo Dudamel, Wiener Philharmoniker | D Major | 2 | 10B | 82 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Verdi: Aida, Act 2: Marcia trionfale | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | A♭ Major | 1 | 4B | 120 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | D Major | 0 | 10B | 93 BPM | ||
Hungarian Dance No. 5 in F Minor: Allegro | Johannes Brahms, London Festival Orchestra, Alfred Scholz | A Minor | 1 | 8A | 126 BPM | ||
La gazza ladra: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | E Major | 2 | 12B | 99 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: Air | Frank Shipway, Royal Philharmonic Orchestra | D Major | 1 | 10B | 78 BPM |
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