Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper made "Das Sühnopfer des neuen Bundes, Pt. 2: No. 25, Sein Blut komme über uns" available on March 8, 2019. With Das Sühnopfer des neuen Bundes, Pt. 2: No. 25, Sein Blut komme über uns being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper's "Loewe: Das Sühnopfer des neuen Bundes" album is number 25 out of 46. On top of that, Germany appears to be the country where this track was created. Das Sühnopfer des neuen Bundes, Pt. 2: No. 25, Sein Blut komme über uns is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Das Sühnopfer des neuen Bundes, Pt. 2: No. 25, Sein Blut komme über uns by Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Sancti Spiritus, ZWV 4: Sanctus | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Er heißet Wunderbar, Rat, Kraft, Held, FR 408/1: I. Dictum (Tutti) | Johann Friedrich Fasch, Benjamin Schmolck, Berit Norbakken Solset, Marianne Beate Kielland, Anders J. Dahlin, Halvor Festervoll Melien, Alfredo Bernardini, Barokkanerne | F♯ Minor | 1 | 11A | 126 BPM | ||
Das Sühnopfer des neuen Bundes, Pt. 2: No. 26, Ach seht, der allen wohlgethan | Carl Loewe, Ulrike Malotta, L'Arpa Festante Baroque Orchestra, Thomas Gropper | G Major | 2 | 9B | 82 BPM | ||
Missa Brevis In C Major Kv 259, Orgelsolo Messe: Credo | Nicol Matt, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Chrisof Fischesser, Reinhard Geller, Barbara Werner, Petra Labitzke, Daniel Sans, Jens Wollenschläger, Wolfgang Amadeus Mozart | C Major | 3 | 8B | 100 BPM | ||
Five Elizabethan Songs: II. Tears | Ivor Gurney, Jodie Devos, Nicolas Krüger | D♭ Minor | 0 | 12A | 79 BPM | ||
I. Ach, lieben Christen, seid getrost (Chorus) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln | A♭ Major | 2 | 4B | 92 BPM | ||
Concerto grosso in B-Flat Major, Op. 3, No. 2, HWV 313: III. Allegro | George Frideric Handel, Gerhart Hetzel, Kurt-Christian Stier, Fritz Kiskalt, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | D Major | 4 | 10B | 129 BPM | ||
Magnificat in D Major, BWV 243: XII. Chorus. Gloria Patri, gloria filio | Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien, Chorus Viennensis, Vienna Boys' Choir | F♯ Minor | 2 | 11A | 121 BPM | ||
Hänsel und Gretel: Abends will ich schlafen gehn | Engelbert Humperdinck, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A♭ Major | 0 | 4B | 81 BPM | ||
Biber: Sonata a 7 | Heinrich Ignaz Franz von Biber, Amsterdam Baroque Orchestra, Ton Koopman | D♭ Major | 1 | 3B | 79 BPM |
Section: 0.5829789638519287
End: 0.5869369506835938