Georg Matthias Monn, Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani made "Sinfonia F-dur: III. Allegro assai" available on 2000. With Sinfonia F-dur: III. Allegro assai being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Georg Matthias Monn, Lajos Rovátkay/Capella Agostino Steffani, Capella Agostino Steffani's "Monn: Sinfonie & Concerti" album is number 3 out of 19. Based on our statistics, Sinfonia F-dur: III. Allegro assai's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sinfonia F-dur: III. Allegro assai by Georg Matthias Monn, Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in G Minor: II. Courante | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | F♯ Minor | 2 | 11A | 156 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | C Major | 3 | 8B | 94 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: I. Allegro | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | A Major | 3 | 11B | 127 BPM | ||
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM | ||
Symphony in C Major, J-C 4: I. Allegrissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 138 BPM | ||
Sonata a 4 g-moll: I. Andante | Georg Matthias Monn, Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani | F♯ Minor | 1 | 11A | 128 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 167 BPM | ||
Concerto grosso No. 7 in D Major, Op. 6: I. Vivace - Allegro - Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 145 BPM |
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