Matthäuspassion, BWV 244: Recitative: Am Abend, da es kuhle war (Bass) - Johann Sebastian Bach, Hanno Müller-Brachmann, Kolner Kammerorchester, Helmut Muller-Bruhl Information

Acousticness: 94%
Danceability: 25%
Energy: 4%
Instrumentalness: 0%
Liveness: 11%
Loudness: 55%
Speechiness: 5%
Valence: 6%
Popularity: 3%
Loudness: -27.223 dB

Summary

"Matthäuspassion, BWV 244: Recitative: Am Abend, da es kuhle war (Bass)" by Johann Sebastian Bach, Hanno Müller-Brachmann, Kolner Kammerorchester, Helmut Muller-Bruhl was released on November 1, 2005. The duration of Matthäuspassion, BWV 244: Recitative: Am Abend, da es kuhle war (Bass) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Matthäuspassion, BWV 244: Recitative: Am Abend, da es kuhle war (Bass)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Kolner Kammerorchester, Helmut Muller-Bruhl's "J.S. Bach: Matthäuspassion, BWV 244" album is number 12 out of 68. On top of that, Hong Kong appears to be the country where this track was created. Matthäuspassion, BWV 244: Recitative: Am Abend, da es kuhle war (Bass) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Matthäuspassion, BWV 244: Recitative: Am Abend, da es kuhle war (Bass) BPM

We consider the tempo marking of Matthäuspassion, BWV 244: Recitative: Am Abend, da es kuhle war (Bass) by Johann Sebastian Bach, Hanno Müller-Brachmann, Kolner Kammerorchester, Helmut Muller-Bruhl to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Matthäuspassion, BWV 244: Recitative: Am Abend, da es kuhle war (Bass) Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro	Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel	E Major	2	12B	105 BPM
Adagio in F, H.XVII No.9	Franz Joseph Haydn, Alfred Brendel	F Major	0	7B	71 BPM
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio	Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn	A♭ Major	0	4B	95 BPM
Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major	Johannes Brahms, Arcadi Volodos	A Major	0	11B	69 BPM
Keyboard Concerto in F Minor, BWV 1056: II. Largo	Johann Sebastian Bach, Oleg Malov, Orchestra "Classical Music Studio", St. Petersburg, Alexander Titov, St. Petersburg Orchestra Classical Music Studio	A♭ Major	0	4B	111 BPM
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII	George Frideric Handel, Martin Stadtfeld	D♭ Major	0	3B	74 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851	Daniel Barenboim	D Minor	1	7A	129 BPM
Nocturne No.6 In G Minor, Op.15 No.3	Frédéric Chopin, Maurizio Pollini	D Minor	0	7A	105 BPM
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano)	Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips	A Major	0	11B	79 BPM
Kinderszenen, Op. 15: 7. Träumerei	Robert Schumann, Martha Argerich	F Major	0	7B	130 BPM

ISRC: HKI190584612
Label: L-M Records/RCA Records

Section: 0.7691104412078857

End: 0.7731671333312988