On January 1, 2006, the song "Sonata In A For Violin And Basso Continuo, Op. 1 No.1: 3. Allegro" was released by Francesco Geminiani, Nathan Milstein, Georges Pludermacher. The duration of Sonata In A For Violin And Basso Continuo, Op. 1 No.1: 3. Allegro is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Sonata In A For Violin And Basso Continuo, Op. 1 No.1: 3. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Tchaikovsky: Violin Concertos & Encores". In this album, this song's track order is #6. Based on our statistics, Sonata In A For Violin And Basso Continuo, Op. 1 No.1: 3. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sonata In A For Violin And Basso Continuo, Op. 1 No.1: 3. Allegro by Francesco Geminiani, Nathan Milstein, Georges Pludermacher having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Air a l'Italien | Cologne Chamber Orchestra | A Minor | 1 | 8A | 76 BPM | ||
Concerto in C Minor, H.119, Op. 7: I. Andante | Francesco Geminiani, Café Zimmermann | B Minor | 3 | 10A | 74 BPM | ||
Concerto Armonico No. 1 in G Major: Allegro | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 2 | 2B | 121 BPM | ||
Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7: Ciaccona | Giovanni Battista Vitali, London Baroque | E Major | 1 | 12B | 101 BPM | ||
Concerto Grosso in A Major, Op. 2, No. 6: II. Allegro - Grave | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | A Major | 2 | 11B | 133 BPM | ||
Violin Concerto in A Minor: I. Allegro | Johann Georg Pisendel, Lina Tur Bonet, Musica Alchemica | E♭ Minor | 4 | 2A | 105 BPM | ||
12 Flute Sonatas (1724): Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 65 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM |
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