"Arma: Suite paysanne hongroise, Op. 153: II. Scherzo (After Bartók's Peasant Songs, Sz. 71)" by Paul Arma, Jean-Pierre Rampal, Robert Veyron-Lacroix was released on January 7, 2022. With Arma: Suite paysanne hongroise, Op. 153: II. Scherzo (After Bartók's Peasant Songs, Sz. 71) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 57 in the song's album "The Flute Master". In this album, this song's track order is #36. Furthermore, we believe that the track originated from United Kingdom. Arma: Suite paysanne hongroise, Op. 153: II. Scherzo (After Bartók's Peasant Songs, Sz. 71) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Arma: Suite paysanne hongroise, Op. 153: II. Scherzo (After Bartók's Peasant Songs, Sz. 71) by Paul Arma, Jean-Pierre Rampal, Robert Veyron-Lacroix having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. M. Ravel): Promenade | Modest Mussorgsky, Russian National Orchestra, Carlo Ponti | F Major | 0 | 7B | 87 BPM | ||
Lachrimae Amantis Pavan | John Dowland, Thurston Dart, Thurson Dart, London Philharmonic Orchestra | C Major | 1 | 8B | 153 BPM | ||
Jess the Razor | Hayden Riley | F♯ Major | 1 | 2B | 101 BPM | ||
26 Welsh Songs, WoO 155: No. 8, Farewell, Thou Noisy Town | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | D Major | 3 | 10B | 47 BPM | ||
Four Greek Songs: IV. Allegro molto | Charles Camilleri, David Campbell, Zoë Martlew, Julian Jacobson | A Major | 2 | 11B | 134 BPM | ||
Capriccio espagnol, Op. 34: Alborada: Vivo e strepitoso | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark | A Minor | 2 | 8A | 92 BPM | ||
Numero de avogadro | Juan Pablo Fernández Ramos | A Minor | 1 | 8A | 99 BPM | ||
Fountains of Rome, P. 106: I. The Fountain of Valle Giulia at Dawn | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 0 | 8B | 60 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM |
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