"Three Latin Motets from 'The Last Supper': II. Pange lingua" by Harrison Birtwistle, BBC Singers, Nicholas Kok was released on February 10, 2014. The duration of Three Latin Motets from 'The Last Supper': II. Pange lingua is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Three Latin Motets from 'The Last Supper': II. Pange lingua's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Harrison Birtwistle, BBC Singers, Nash Ensemble, Nicholas Kok's "Harrison Birtwistle: The Moth Requiem" album is number 3 out of 8. Three Latin Motets from 'The Last Supper': II. Pange lingua is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Three Latin Motets from 'The Last Supper': II. Pange lingua by Harrison Birtwistle, BBC Singers, Nicholas Kok to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bernstein: Symphony No. 2, "The Age of Anxiety": Part 1. The Seven Stages - Variation 11 (L' istesso tempo) | Leonard Bernstein, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 3 | 9B | 92 BPM | ||
The Mask of Orpheus, Act I Scene 1: First Ceremony | Harrison Birtwistle, BBC Symphony Orchestra, Andrew Davis | D Minor | 3 | 7A | 120 BPM | ||
Concerto for Violin and Orchestra: IV. Fast | Julia Perry, Curtis J Stewart, James Blachly, Experiential Orchestra | C Major | 4 | 8B | 89 BPM | ||
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): IV. Bird Music | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | E Minor | 2 | 9A | 112 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: I. Largo | Dmitri Shostakovich, Asasello Quartett | G Major | 0 | 9B | 88 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation II | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 2 | 9B | 113 BPM | ||
Sånger å de Osjungnas Vägnar: II. 100 Osjungna Röster: I | Per Egland, Christian Lindberg, Wermland Opera Orchestra | E♭ Major | 10 | 5B | 89 BPM | ||
Symphony No. 1 "Land of the Free": I. Threads of Resilience | Christopher Schmitz, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
Novelletten, H. 44: I. Andante moderato | Frank Bridge, Esmé Quartet | E Major | 5 | 12B | 72 BPM | ||
Como una ola de fuerza y luz: Beginning | Luigi Nono, Slavka Taskova, Maurizio Pollini, Bavarian Radio Symphony Orchestra, Claudio Abbado | D♭ Minor | 0 | 12A | 67 BPM |
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