Johann Sebastian Bach, Jean-Pierre Rampal, John Steele Ritter, Isaac Stern, Leslie Parnas made "Musical Offering, Op. 6, BWV 1079: Trio Sonata for Flute, Violin and Basso continuo in C Minor: II. Allegro" available on 1983. Musical Offering, Op. 6, BWV 1079: Trio Sonata for Flute, Violin and Basso continuo in C Minor: II. Allegro is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. There are a total of 20 in the song's album "Trio Sonatas of Telemann & The Bach Family". In this album, this song's track order is #11. Musical Offering, Op. 6, BWV 1079: Trio Sonata for Flute, Violin and Basso continuo in C Minor: II. Allegro is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Musical Offering, Op. 6, BWV 1079: Trio Sonata for Flute, Violin and Basso continuo in C Minor: II. Allegro by Johann Sebastian Bach, Jean-Pierre Rampal, John Steele Ritter, Isaac Stern, Leslie Parnas having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Sonata In B Minor, K. 33 | Domenico Scarlatti, Ingolf Wunder | B Minor | 1 | 10A | 93 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM | ||
Frühlingsglaube (Arr. Franz Liszt) | Franz Schubert | A♭ Major | 3 | 4B | 64 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 12, Gib Dich zufrieden und sei stille, BWV 510 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM |
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