"L'Enfant et les sortilèges, M.71 / Deuxième partie: La Cage, c'était pour mieux voir ta pretesse" by Maurice Ravel, Pamela Helen Stephen, Rinat Shaham, London Symphony Orchestra, André Previn was released on January 1, 1999. The duration of L'Enfant et les sortilèges, M.71 / Deuxième partie: La Cage, c'était pour mieux voir ta pretesse is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. L'Enfant et les sortilèges, M.71 / Deuxième partie: La Cage, c'était pour mieux voir ta pretesse's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Ravel: L'Enfant et les Sortilèges". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Germany. L'Enfant et les sortilèges, M.71 / Deuxième partie: La Cage, c'était pour mieux voir ta pretesse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'Enfant et les sortilèges, M.71 / Deuxième partie: La Cage, c'était pour mieux voir ta pretesse by Maurice Ravel, Pamela Helen Stephen, Rinat Shaham, London Symphony Orchestra, André Previn having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
Come, Sweet Death (Arr. for 5 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Minor | 1 | 5A | 88 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Tune from the Film by Lana Gogoberidze: When Almonds Blossomed | Giya Kancheli, Khatia Buniatishvili | D Minor | 0 | 7A | 65 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Ma mère l'oye, M. 60: 5. Le jardin féerique. Lent et grave | Valeria Szervánszky, Ronald Cavaye | C Major | 0 | 8B | 116 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM |
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