"Water Music Suite No. 3 in G Major, HWV 350: Rigaudon No. 17 & 18" by George Frideric Handel, Daniel Hope, Zürcher Kammerorchester was released on February 2, 2024. The duration of Water Music Suite No. 3 in G Major, HWV 350: Rigaudon No. 17 & 18 is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Water Music Suite No. 3 in G Major, HWV 350: Rigaudon No. 17 & 18's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 42 in Dance! by Daniel Hope, Zürcher Kammerorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Water Music Suite No. 3 in G Major, HWV 350: Rigaudon No. 17 & 18 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Water Music Suite No. 3 in G Major, HWV 350: Rigaudon No. 17 & 18 by George Frideric Handel, Daniel Hope, Zürcher Kammerorchester is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harpsichord Concerto in D Minor: I. Allegro | Christoph Nichelmann, Philippe Grisvard, Ensemble Diderot, Johannes Pramsohler | D♭ Minor | 2 | 12A | 134 BPM | ||
Violin Sonata No. 2 in A Minor: V. Finale | Johann Paul Von Westhoff, Jonas Zschenderlein | E Major | 1 | 12B | 0 BPM | ||
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 6, HWV 324: II. A tempo giusto | George Frideric Handel, Nils-Erik Sparf, Tullo Galli, Kari Ottesen, Drottningholm Baroque Ensemble, Anders Öhrwall | F♯ Minor | 1 | 11A | 123 BPM | ||
Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: I. Vivace. Lento | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 3 | 11A | 92 BPM | ||
Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | A Major | 4 | 11B | 125 BPM | ||
Concerto a più istrumenti in D Major, Op. 5, No. 6: V. Allegro (Transcr. for Solo Violin and Chamber Orchestra) | Evaristo Felice Dall'Abaco, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Overture in D Major, Op. 8, No. 4: II. Un poco andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 0 | 9B | 165 BPM | ||
Suite Premiere -Viii. Chaconne (Charles Desmazures) | Grupo de musica barroca La Folia/Pedro Bonet | E♭ Minor | 2 | 2A | 68 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM |
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