- BPM
- 93
- Key
- E Major
- Camelot
- 12B
Die Zauberflöte: Zweiter Akt - In diesen heil'gen Hallen - Vienna State Opera Chorus, Wiener Philharmoniker, Fritz Wunderlich, Lieselotte Folser Information
- Acousticness
- 97%
- Danceability
- 25%
- Energy
- 54%
- Instrumentalness
- 1%
- Liveness
- 30%
- Loudness
- 85%
- Speechiness
- 10%
- Valence
- 22%
- Popularity
- 0%
- Loudness
- -8.773 dB
Summary
Vienna State Opera Chorus, Wiener Philharmoniker, Fritz Wunderlich, Lieselotte Folser's 'Die Zauberflöte: Zweiter Akt - In diesen heil'gen Hallen' came out on January 1, 2012. Die Zauberflöte: Zweiter Akt - In diesen heil'gen Hallen is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. This song is part of Wolfgang Amadeus Mozart: Die Zauberflöte by Vienna State Opera Chorus, Wiener Philharmoniker, Joseph Keilberth. The song's track number on the album is #21 out of 31 tracks. In terms of popularity, Die Zauberflöte: Zweiter Akt - In diesen heil'gen Hallen is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Zauberflöte: Zweiter Akt - In diesen heil'gen Hallen BPM
Since Die Zauberflöte: Zweiter Akt - In diesen heil'gen Hallen by Vienna State Opera Chorus, Wiener Philharmoniker, Fritz Wunderlich, Lieselotte Folser has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Zauberflöte: Zweiter Akt - In diesen heil'gen Hallen being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
Die Zauberflöte: Zweiter Akt - In diesen heil'gen Hallen Key
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Gounod: Faust, CG 4, Act 1 Scene 1: No. 1, Introduction | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | Messa di Gloria: Kyrie eleison | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | G Major | 1 | 9B | 92 BPM | |
 | Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Mir ist so wunderbar | Ludwig van Beethoven, Rachel Harnisch, Nina Stemme, Christof Fischesser, Christoph Strehl, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | |
 | Faust, CG 4, Act II: Act II: De l'enfer qui vient emousser nos armes (Valentin, Chorus) | Charles Gounod, Adrian Eröd, Vienna State Opera Chorus, Vienna State Opera Orchestra, Bertrand de Billy | E♭ Major | 2 | 5B | 83 BPM | |
 | Les Contes d'Hoffmann (2003 - Remaster), Act II: Les oiseaux dans la charmille :Chanson de la poupéee (Olympia/Chorus) | Jacques Offenbach, Gianna d' Angelo/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/André Cluytens, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 103 BPM | |
 | Die Frau ohne Schatten, Op. 65, TrV 234, Act III Scene 2: Sie kommen! (Live) | Richard Strauss, Camilla Nylund, Evelyn Herlitzius, Sebastian Holecek, Vienna State Opera Chorus, Vienna State Opera Orchestra, Christian Thielemann | E Minor | 6 | 9A | 85 BPM | |
 | Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | |
 | Die Lustige Witwe: Lippen schweigen, flüstern Geigen | Friedl Loor, Mimi Coertse, Karl Terkal, Vienna State Opera Chorus, Operettenorchester der Wiener Staatsoper, Hans, Hagen | G Major | 3 | 9B | 68 BPM | |
 | Der Fliegende Holländer, Act III: VII. Chor der norwegischen Matrosen & Ensemble: Steuermann, laß' die Wacht! (Chor/Steuermann) | Thomas Moser, Herbert von Karajan, Vienna State Opera Chorus, Berliner Philharmoniker | G Minor | 4 | 6A | 112 BPM | |
 | Fidelio, Op. 72, Act II: Act II: Du schlossest auf des Edlen Grab (Fernando) | Ludwig van Beethoven, Erna Schlüter, Julius Patzak, Herbert Alsen, Ferdinand Frantz, Otto Edelmann, Lisa della Casa, Rudolf Schock, Vienna State Opera Chorus, Wiener Philharmoniker, Wilhelm Furtwängler | A Minor | 2 | 8A | 78 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7703025341033936
End: 0.7747998237609863