Charles Gounod, Adrian Eröd, Vienna State Opera Chorus, Vienna State Opera Orchestra, Bertrand de Billy's 'Faust, CG 4, Act II: Act II: De l'enfer qui vient emousser nos armes (Valentin, Chorus)' came out on January 1, 2016. The duration of Faust, CG 4, Act II: Act II: De l'enfer qui vient emousser nos armes (Valentin, Chorus) is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Faust, CG 4, Act II: Act II: De l'enfer qui vient emousser nos armes (Valentin, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Gounod, Piotr Beczala, Soile Isokoski, Vienna State Opera Orchestra, Bertrand de Billy's "Gounod: Faust, CG 4" album is number 11 out of 49. Faust, CG 4, Act II: Act II: De l'enfer qui vient emousser nos armes (Valentin, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Faust, CG 4, Act II: Act II: De l'enfer qui vient emousser nos armes (Valentin, Chorus) by Charles Gounod, Adrian Eröd, Vienna State Opera Chorus, Vienna State Opera Orchestra, Bertrand de Billy to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | B♭ Major | 0 | 6B | 89 BPM | ||
Mozart: Concerto For Clarinet And Orchestra In A (K. 622) | Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 84 BPM | ||
Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | ||
Má Vlast, JB 1:112: The Moldau (Vltava) [Excerpt] | Bedřich Smetana, Leopold Stokowski, RCA Victor Symphony Orchestra | C Major | 2 | 8B | 74 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Liebesleid | Fritz Kreisler, Michael Collins, Michael McHale | A Minor | 0 | 8A | 87 BPM |
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