Ludwig van Beethoven, Lynn Harrell, Vladimir Ashkenazy's 'Sonata for Cello and Piano No.1 in F, Op.5 No.1: 1a. Adagio sostenuto' came out on September 21, 1987. The duration of Sonata for Cello and Piano No.1 in F, Op.5 No.1: 1a. Adagio sostenuto is about 3 minutes long, at 3:05. Based on our data, "Sonata for Cello and Piano No.1 in F, Op.5 No.1: 1a. Adagio sostenuto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 18 in Beethoven: Cello Sonatas Nos. 1-5 by Ludwig van Beethoven, Lynn Harrell, Vladimir Ashkenazy. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Sonata for Cello and Piano No.1 in F, Op.5 No.1: 1a. Adagio sostenuto is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonata for Cello and Piano No.1 in F, Op.5 No.1: 1a. Adagio sostenuto by Ludwig van Beethoven, Lynn Harrell, Vladimir Ashkenazy is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Piano Quartets, WoO 36: No. 3 in C Major: II. Adagio con espressione (Live) | Ludwig van Beethoven, Renaud Capuçon, Lyda Chen, Gautier Capuçon, Martha Argerich | D Major | 2 | 10B | 143 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
Sonata in D Major, Hob. XVI:37: II. Largo e sostenuto | Franz Joseph Haydn, Olivier Cavé | D Minor | 0 | 7A | 70 BPM | ||
Sonata in G Minor for Violin & Piano, L. 140: 3. Finale (Très animé) | Claude Debussy, Itzhak Perlman, Vladimir Ashkenazy | E Minor | 2 | 9A | 91 BPM | ||
Septet in E-Flat Major, Op. 20: III. Tempo di menuetto | Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth | E♭ Major | 1 | 5B | 120 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: III. Allegro - Più presto | Johannes Brahms, Mischa Maisky, Pavel Gililov | G Major | 0 | 9B | 72 BPM | ||
Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": II. Andante con moto. Variation II | Franz Schubert, Quatuor Arod | A♭ Major | 1 | 4B | 82 BPM | ||
Paganini: Violin Concerto No. 1 in E-Flat Major, Op. 6: II. Adagio espressivo | Niccolò Paganini, Lawrence Foster, Royal Philharmonic Orchestra | B Minor | 1 | 10A | 108 BPM | ||
24 Preludes, Op. 11: No. 7 in A Major | Alexander Scriabin, Evgeny Zarafiants | A Major | 1 | 11B | 68 BPM | ||
Sonata for Piano & Violin No. 1: II. Andante con moto. Tema con variazioni | Ludwig van Beethoven, Isabelle Faust, Alexander Melnikov | A Major | 1 | 11B | 101 BPM |
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