"Leoncavallo: Zazà, Act 3: "Signorina, vi abbiamo spaurita?" (Zaza, Toto, Natalia)" by Ruggero Leoncavallo, Maurizio Benini, BBC Symphony Orchestra was released on January 1, 2016. The duration of Leoncavallo: Zazà, Act 3: "Signorina, vi abbiamo spaurita?" (Zaza, Toto, Natalia) is about 3 minutes long, at 3:09. Based on our data, "Leoncavallo: Zazà, Act 3: "Signorina, vi abbiamo spaurita?" (Zaza, Toto, Natalia)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ruggero Leoncavallo, Ermonela Jaho, Riccardo Massi, Stephen Gaertner, Patricia Bardon, BBC Symphony Orchestra, Maurizio Benini's "Leoncavallo: Zazà" album is number 7 out of 54. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Leoncavallo: Zazà, Act 3: "Signorina, vi abbiamo spaurita?" (Zaza, Toto, Natalia) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leoncavallo: Zazà, Act 3: "Signorina, vi abbiamo spaurita?" (Zaza, Toto, Natalia) by Ruggero Leoncavallo, Maurizio Benini, BBC Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Carlo Pepoli, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM | ||
Don Giovanni, Act Il, Commendatore Scene | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, John McCarthy, John Tomlinson, Richard Stilwell, Willard White | A Major | 3 | 11B | 81 BPM | ||
Mattinata - Wien, Wien, nur du allein - Amapola - Live | Ruggero Leoncavallo, Rudolf Sieczynski, Joseph Maria Lacalle, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestra del Maggio Musicale Fiorentino, Orchestra Del Teatro Dell'Opera Di Roma, Zubin Mehta | B♭ Major | 3 | 6B | 138 BPM | ||
Orff: Carmina Burana, Pt. 4, Blanziflor et Helena: Ave formosissima | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse | E Minor | 3 | 9A | 142 BPM | ||
Carmen Votre toast, je peux vous le rendre - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | F Major | 3 | 7B | 113 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Loewe: My fair lady: "I could have danced all night" (Eliza Doolittle) | Frederick Loewe, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | C Major | 5 | 8B | 153 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 112 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Martha: M´apparì, tutt´amor | Carlo Bergonzi, Orchestra Sinfonica e Coro di Torino della RAI, Massimo Pradella | F Major | 2 | 7B | 68 BPM |
Section: 0.6941876411437988
End: 0.6988232135772705