"Symphony No. 9 in D minor, 'Choral' Op. 125, IV.: Allegro ma non tanto: "Freude, Tochter aus Elysium!" -" by Peter Seiffert, Wolfgang Sawallisch, Margaret Price, Chor des Städt. Musikvereins zu Düsseldorf, Concertgebouworkest, Jan-Hendrik Rootering, Marjana Lipovsek was released on 1993. The duration of Symphony No. 9 in D minor, 'Choral' Op. 125, IV.: Allegro ma non tanto: "Freude, Tochter aus Elysium!" - is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Symphony No. 9 in D minor, 'Choral' Op. 125, IV.: Allegro ma non tanto: "Freude, Tochter aus Elysium!" -'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 19 in Beethoven:Symphony No. 9/Piano Concerto No. 5/Mozart: Piano Concerto No. 20 by Wolfgang Sawallisch. Symphony No. 9 in D minor, 'Choral' Op. 125, IV.: Allegro ma non tanto: "Freude, Tochter aus Elysium!" - is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 9 in D minor, 'Choral' Op. 125, IV.: Allegro ma non tanto: "Freude, Tochter aus Elysium!" - by Peter Seiffert, Wolfgang Sawallisch, Margaret Price, Chor des Städt. Musikvereins zu Düsseldorf, Concertgebouworkest, Jan-Hendrik Rootering, Marjana Lipovsek is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prince Igor (Knyaz Igor): Act II: Merknyet svyet dnevnoy (Daylight is fading) (Konchakovna) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F♯ Major | 2 | 2B | 91 BPM | ||
Mahler: Das Lied von der Erde: V. Der Trunkene im Frühling | Gustav Mahler, Sir Simon Rattle, Peter Seiffert, City Of Birmingham Symphony Orchestra | D Minor | 1 | 7A | 81 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
"Lobgesang" in B Flat Major, Op. 52, MWV A18: "Saget es, die ihr erlöst seid" | Felix Mendelssohn, Peter Seiffert, Gewandhausorchester, Riccardo Chailly | G Minor | 0 | 6A | 78 BPM | ||
Requiem, Op. 89 B. 165: Sequentia: Tuba mirum (Alto, Tenor, Bass, Chorus) | Antonín Dvořák, Ewa Wolak, Daniel Kirch, Janusz Monarcha, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni Wit | D♭ Major | 2 | 3B | 92 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13 - English version: Finale: "Though this house give glimm'ring light" | Felix Mendelssohn, Jennifer Vyvyan, Female Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Peter Maag | E Major | 1 | 12B | 79 BPM | ||
Orff: Carmina Burana, Pt. 1, Primo vere: Veris leta facies | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
Der fliegende Hollander (The Flying Dutchman): Act III No. 7: Szene und Chor - Steuermann, lass die Wacht! | Richard Wagner, Ingrid Haubold, Jörg Hering, Erich Knodt, Alfred Muff, Marga Schiml, Peter Seiffert, Budapest Radio Chorus, Austrian Radio Symphony Orchestra, Pinchas Steinberg | G Major | 2 | 9B | 86 BPM | ||
4 Duet, Op. 78: No. 1. Tanzlied | Robert Schumann, Peter Seiffert, Charles Spencer, Petra-Maria Schnitzer | F Major | 1 | 7B | 172 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: Introduction | Richard Strauss, Wiener Philharmoniker, Sir Georg Solti | D Major | 4 | 10B | 103 BPM |
Section: 0.8994426727294922
End: 0.9040379524230957