Fretwork's 'M. Giles Hobies Galiard from Lachrimae, or Seaven Teares' came out on March 3, 2003. With M. Giles Hobies Galiard from Lachrimae, or Seaven Teares being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Fretwork's "Goe Nightly Cares/Dances From Lachrimae (1604)/Consort Music" album is number 18 out of 25. In terms of popularity, M. Giles Hobies Galiard from Lachrimae, or Seaven Teares is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of M. Giles Hobies Galiard from Lachrimae, or Seaven Teares by Fretwork to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lawes: Fantasie for 3 Lyra Viols, VdGS No. 573 | William Lawes, Fretwork | E♭ Minor | 0 | 2A | 130 BPM | ||
O Jove, from stately throne | Richard Farrant, Catherine King, The Rose Consort Of Viols | D♭ Minor | 0 | 12A | 78 BPM | ||
Lute Sonata No. 9: I. Preludio | Giovanni Zamboni, Luciano Còntini | D♭ Minor | 0 | 12A | 179 BPM | ||
Pavane de la tromba hollandica | Maurice of Hesse-Kassel, Capella De La Torre, Katharina Bauml | C Major | 1 | 8B | 74 BPM | ||
Es war aber an der Stätte | Christian Geist, Iestyn Davies, Fretwork, Silas Wollston, Richard Boothby | G Minor | 1 | 6A | 113 BPM | ||
Dialogo sopra un Pass'emezzo | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Minor | 1 | 6A | 116 BPM | ||
Prima die Lectio prima: IV. Beth | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 0 | 11A | 86 BPM | ||
Fors seulement, à 4 | Antoine Brumel, Fretwork | D Minor | 1 | 7A | 81 BPM | ||
Suite in G Major: II. Allemande | Robert de Visée, Yasunori Imamura | C Major | 1 | 8B | 58 BPM | ||
Lawes: Consort Set No. 8 for 6 Viols in F Major, VdGS 90-93: II. Aire | William Lawes, Fretwork | F Major | 1 | 7B | 78 BPM |
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