Enríquez de Valderrábano, Toyohiko Satoh made "Libro de musica de vihuela, intitulado "Silva de sirenas" - Libro 4: No. 77. Diferencias sobre el tenor del "Conde claros" en tercera minor" available on January 1, 2006. Libro de musica de vihuela, intitulado "Silva de sirenas" - Libro 4: No. 77. Diferencias sobre el tenor del "Conde claros" en tercera minor appears to be safe for all ages as it is not explicit. There are a total of 16 in the song's album "The Art of Spanish Variations". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Libro de musica de vihuela, intitulado "Silva de sirenas" - Libro 4: No. 77. Diferencias sobre el tenor del "Conde claros" en tercera minor is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Libro de musica de vihuela, intitulado "Silva de sirenas" - Libro 4: No. 77. Diferencias sobre el tenor del "Conde claros" en tercera minor by Enríquez de Valderrábano, Toyohiko Satoh having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasía del Primer Tono - Libro 2 | Luis de Narváez, José Akel | G Minor | 2 | 6A | 136 BPM | ||
Suite in F-Sharp Minor: III. Courante, "La Nonpareille" | Jacques Gallot, Joachim Held | F Major | 1 | 7B | 112 BPM | ||
Si habrá en este baldrés? | Juan del Encina, Piffaro | D Minor | 3 | 7A | 118 BPM | ||
Folias (Imperfectas) [Harp] | La Capella Reial De Catalunya, Hespèrion XXI, Andrew Lawrence-King | A Minor | 0 | 8A | 78 BPM | ||
Españoletas | Gaspar Sanz, Antonio de Santa Cruz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | D Minor | 1 | 7A | 91 BPM | ||
Corrente IX | Alessandro Piccinini, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM | ||
Das Erst Buch. Ein Newes Lautenbüchlein, 1544: Ein Gutter Venecianer Tantz, Mit Hupf Auff | Hans Neusidler, Joachim Held | B Minor | 1 | 10A | 159 BPM | ||
Ein Newgeordent Künstlich Lautenbuch, 1536: Nach Willen Dein, After Paul Hofheimer | Hans Neusidler, Joachim Held | C Major | 1 | 8B | 203 BPM | ||
So ben mi chi ha bon tempo | Cesare Negri, Baltimore Consort | G Minor | 1 | 6A | 130 BPM | ||
Suite No. 9 en ré mineur: Courante | Robert de Visée, Sandro Volta | D♭ Major | 0 | 3B | 74 BPM |
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