Deborah, HWV 51: Part II: Air - Swift inundation of desolation
George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini
Handel: Deborah
2:46 March 1, 2002
BPM
106
Key
A Major
Camelot
11B

Embed

Share Link

Deborah, HWV 51: Part II: Air - Swift inundation of desolation - George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini Information

Acousticness
94%
Danceability
50%
Energy
18%
Instrumentalness
0%
Liveness
19%
Loudness
65%
Speechiness
3%
Valence
65%
Popularity
Loudness
-20.93 dB

Summary

George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini made "Deborah, HWV 51: Part II: Air - Swift inundation of desolation" available on March 1, 2002. The duration of Deborah, HWV 51: Part II: Air - Swift inundation of desolation is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Deborah, HWV 51: Part II: Air - Swift inundation of desolation's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel's "Handel: Deborah" album is number 19 out of 74. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Deborah, HWV 51: Part II: Air - Swift inundation of desolation is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Deborah, HWV 51: Part II: Air - Swift inundation of desolation BPM

We consider the tempo marking of Deborah, HWV 51: Part II: Air - Swift inundation of desolation by George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Deborah, HWV 51: Part II: Air - Swift inundation of desolation Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio by Franz Schubert, Alexandre Tharaud, Jean-Guihen QueyrasSonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. AdagioFranz Schubert, Alexandre Tharaud, Jean-Guihen QueyrasE Major012B91 BPM
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse by Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri BashmetSerenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valsePyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri BashmetG Major19B66 BPM
Fantasia And Fugue In A Minor, BWV 904 : Fugue by Janos Sebestyen, Johann Sebastian BachFantasia And Fugue In A Minor, BWV 904 : FugueJanos Sebestyen, Johann Sebastian BachA Minor38A132 BPM
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious by George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos MartiniDeborah, HWV 51: Part I: Chorus - Let thy deeds be gloriousGeorge Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos MartiniA Minor08A172 BPM
Renaissance, Book 2: Sarabande (Lully) by Leopold Godowsky, Konstantin ScherbakovRenaissance, Book 2: Sarabande (Lully)Leopold Godowsky, Konstantin ScherbakovE Minor09A94 BPM
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro by Tomaso Albinoni, I MusiciConcerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. AllegroTomaso Albinoni, I MusiciB♭ Major26B107 BPM
San Giovanni Battista: Sinfonia by Alessandro Stradella, Concerto Italiano, Rinaldo AlessandriniSan Giovanni Battista: SinfoniaAlessandro Stradella, Concerto Italiano, Rinaldo AlessandriniD♭ Major13B64 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: I. - AllegroCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachC Minor45A106 BPM
In the Steppes of Central Asia by Alexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyIn the Steppes of Central AsiaAlexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyA Major011B69 BPM
Athalia, HWV 52: Part 1 - No. 1 Sinfonia: Allegro - Grave - Allegro by George Frideric Handel, Markus Brutscher, Friederike Holzhausen, Stephan MacLeod, Annette Reinhold, Barbara Schlick, Elisabeth Scholl, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos MartiniAthalia, HWV 52: Part 1 - No. 1 Sinfonia: Allegro - Grave - AllegroGeorge Frideric Handel, Markus Brutscher, Friederike Holzhausen, Stephan MacLeod, Annette Reinhold, Barbara Schlick, Elisabeth Scholl, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos MartiniD♭ Major03B77 BPM
ISRC
HKI190139319
Label
L-M Records/RCA Records

Section: 0.6038646697998047

End: 0.6080234050750732