- BPM
- 94
- Key
- E Major
- Camelot
- 12B
Fünf Lieder zu Gedichten von Stefan George, Op. 4: I. Eingang - Anton Webern, Charles Rosen Information
- Acousticness
- 99%
- Danceability
- 34%
- Energy
- 3%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 59%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -24.629 dB
Summary
"Fünf Lieder zu Gedichten von Stefan George, Op. 4: I. Eingang" by Anton Webern, Charles Rosen was released on 1977. The duration of Fünf Lieder zu Gedichten von Stefan George, Op. 4: I. Eingang is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Fünf Lieder zu Gedichten von Stefan George, Op. 4: I. Eingang's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 138 in the song's album "Pierre Boulez Edition: Webern, Varese & Berio". In this album, this song's track order is #8. In terms of popularity, Fünf Lieder zu Gedichten von Stefan George, Op. 4: I. Eingang is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Fünf Lieder zu Gedichten von Stefan George, Op. 4: I. Eingang BPM
With Fünf Lieder zu Gedichten von Stefan George, Op. 4: I. Eingang by Anton Webern, Charles Rosen having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Fünf Lieder zu Gedichten von Stefan George, Op. 4: I. Eingang Key
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | D'un soir triste | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 87 BPM | |
 | Sonata for Violin and Piano: II. Blues / Moderato | Maurice Ravel, Renaud Capuçon, Franck Braley | F Minor | 1 | 4A | 114 BPM | |
 | Fünf Lieder aus "Der Siebente Ring", Op. 3: V. Kahl reckt der Baum | Anton Webern, Charles Rosen | F Major | 0 | 7B | 61 BPM | |
 | Symphony No. 3: Andante con noto | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 0 | 8B | 110 BPM | |
 | Andante for Strings | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | F Major | 0 | 7B | 56 BPM | |
 | Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Emmanuelle Bertrand, BBC National Orchestra Of Wales, Pascal Rophe | E♭ Major | 0 | 5B | 91 BPM | |
| Deutsche Tänze, D. 820: II. [without tempo indication] (I. Da capo) | Franz Schubert, Anton Webern | A♭ Major | 0 | 4B | 99 BPM | |
 | Requiem Canticles: Libera me | Igor Stravinsky, Sally Burgess, Roderick Williams, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft | G Minor | 1 | 6A | 65 BPM | |
 | Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | |
 | 7 Papillons: No. 4. — | Kaija Saariaho, Anssi Karttunen | G Major | 0 | 9B | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7470428943634033
End: 0.75075364112854