Carlo Innocenzi made "The Mill of the Stone Women (Main Title)" available on 1960. With The Mill of the Stone Women (Main Title) being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "The Mill of the Stone Women (Original Movie Soundtrack)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Canada. Based on our statistics, The Mill of the Stone Women (Main Title)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Mill of the Stone Women (Main Title) by Carlo Innocenzi having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
Pearl Fishers duet | Georges Bizet, John Lubbock, Rhydian, St John Smith's Square Orchestra, Stephen Hussey | E♭ Major | 5 | 5B | 80 BPM | ||
Peer Gynt Incidental Music, Op. 23: No. 16, Anitra's Dance. Scene 6 | Edvard Grieg, Edward Gardner, Bergen Philharmonic Orchestra, Lise Davidsen, Edward Gieg Kor, Bergen Philharmonic Choir | E Major | 1 | 12B | 81 BPM | ||
Casta Diva from Norma | Vincenzo Bellini, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 177 BPM | ||
Spartacus Suite No. 2: Adagio of Spartacus and Phrygia | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Minor | 2 | 8A | 88 BPM | ||
Symphony No. 4, "Autochthonous": III. With a graceful lilt | William Grant Still, Fort Smith Symphony, John Jeter | D Minor | 1 | 7A | 82 BPM | ||
La Sonnambula / Act 2: Ah, non credea mirarti | Vincenzo Bellini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám Fischer | A Minor | 1 | 8A | 109 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Murray Perahia, Bernard Haitink, Concertgebouworkest | B Major | 0 | 1B | 83 BPM | ||
La Wally/Ebben, Ne Andrò Lontana | Montserrat Caballé, Orquesta Sinfónica de Barcelona | E Minor | 1 | 9A | 79 BPM | ||
Elizabeth II | Debbie Wiseman, National Symphony Orchestra | A Major | 2 | 11B | 79 BPM |
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