"Pesni i plyaski smerti (Songs and Dances of Death): III. Trepak" by Modest Mussorgsky, Erik Saeden, Hans Pålsson was released on April 30, 1991. With this song being about 5 minutes long, at 5:16, "Pesni i plyaski smerti (Songs and Dances of Death): III. Trepak" by Modest Mussorgsky, Erik Saeden, Hans Pålsson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Modest Mussorgsky's "Mussorgsky: Pictures at an Exhibition / Songs and Dances of Death" album is number 19 out of 20. On top of that, Sweden appears to be the country where this track was created. The popularity of Pesni i plyaski smerti (Songs and Dances of Death): III. Trepak is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pesni i plyaski smerti (Songs and Dances of Death): III. Trepak by Modest Mussorgsky, Erik Saeden, Hans Pålsson to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 194 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): (English horn) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Major | 0 | 12B | 112 BPM | ||
Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 2. H.D.S.-P. (Allegro) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 1 | 6A | 113 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Scherzo in B-Flat Major - Remastered | Modest Mussorgsky, Claudio Abbado, London Symphony Orchestra | D Major | 0 | 10B | 104 BPM |
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