Furens made "Maitre Pierre" available on 1905. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 20 out of 25 in Anthologie De La Chanson Française - Chansons À Voix (1900-1920) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Maitre Pierre is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Maitre Pierre by Furens is Vivace (lively and fast), since this song has a tempo of 161 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orff: Carmina Burana, Pt. 1, Primo vere: Ecce gratum | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse | B♭ Major | 3 | 6B | 75 BPM | ||
Las Golondrinas, Escena final, III parte: "Vida mía, ¡qué has hecho!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi, Coro del Gran Teatro del Liceo de Barcelona | E♭ Major | 2 | 5B | 129 BPM | ||
Firenze sogna | Giuseppe Di Stefano | G Major | 2 | 9B | 85 BPM | ||
El Barberillo de Lavapies (Canción de Paloma) | Teresa Berganza | A Major | 3 | 11B | 143 BPM | ||
Funiculì Funiculà - Remastered | Andrea Bocelli, Orchestra Sinfonica di Milano Giuseppe Verdi, Steven Mercurio | C Major | 4 | 8B | 129 BPM | ||
Act IV: La donna è mobile | Giuseppe Verdi, Enrico Caruso | B Major | 2 | 1B | 84 BPM | ||
La Tempestad, Acto I: ¡Virgen Santa! (Cuarteto) - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Pilar Lorengar, Tony Rosado, Carlos Munguia, Manuel Ausensi, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid | F Major | 4 | 7B | 76 BPM | ||
Manon Lescaut: Donna Non Vidi Mai... | Mario del Monaco | B♭ Major | 2 | 6B | 85 BPM | ||
Die Meistersinger von Nürnberg - Act 2: "Laß sehn, ob Meister Sachs zu Haus?" | Richard Wagner, Norman Bailey, Kurt Moll, Hannelore Bode, Julia Hamari, Adolf Dallapozza, Wiener Philharmoniker, Sir Georg Solti | B♭ Major | 2 | 6B | 77 BPM | ||
Iolanthe: Loudly let the trumpet bray | Arthur Sullivan, The D'Oyly Carte Opera Chorus, The Band Of The Grenadier Guards, The New Symphony Orchestra Of London, Isidore Godfrey | E♭ Major | 4 | 5B | 125 BPM |
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