"The Art of Fugue, BWV 1080: Contrapunctus 9 a 4 alla Duodecima" by Johann Sebastian Bach, Keller Quartett was released on 1988. The duration of The Art of Fugue, BWV 1080: Contrapunctus 9 a 4 alla Duodecima is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. The Art of Fugue, BWV 1080: Contrapunctus 9 a 4 alla Duodecima's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Keller Quartett's "J.S Bach - Die Kunst Der Fuge" album is number 9 out of 20. On top of that, Germany appears to be the country where this track was created. The Art of Fugue, BWV 1080: Contrapunctus 9 a 4 alla Duodecima is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Art of Fugue, BWV 1080: Contrapunctus 9 a 4 alla Duodecima by Johann Sebastian Bach, Keller Quartett to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ayres for the Violin: Preludio | Nicola Matteis Sr., Isabelle Faust | A♭ Minor | 1 | 1A | 94 BPM | ||
Bleib bei uns, denn es will Abend werden, BWV 6: Chorale: Ach bleib bei uns, Herr Jesu Christ (Chorus) | Johann Sebastian Bach, Daniel Taylor, James Gilchrist, Stephen Varcoe, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A Major | 0 | 11B | 105 BPM | ||
Symphony No. 6 in D Major, Hob.I:6 "Le Matin": II. Adagio - Andante - Adagio | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | D Major | 2 | 10B | 83 BPM | ||
Suite No. 2 in F Major, HWV 427: IV. Allegro. Fugue | George Frideric Handel, Angela Hewitt | G Major | 1 | 9B | 102 BPM | ||
Sonata in A Major, No. 6: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 3 | 4B | 123 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 8 in E flat minor, BWV 853 | Luc Beauséjour | G Minor | 2 | 6A | 89 BPM | ||
Concerto for Strings and Continuo in G minor, R. 156: 1. Allegro | Antonio Vivaldi, The English Concert, Trevor Pinnock | B Major | 2 | 1B | 116 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": II. Vivace ma non troppo | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 118 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 4 : I. Adagio - Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Ludovit Kanta, Daniela Ruso, Capella Istropolitana | D Major | 3 | 10B | 130 BPM |
Section: 0.5282697677612305
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