William Lawes, Les Voix Humaines's 'The Royall Consort Sett No. 7 in A Minor: IV. Corant - Saraband' came out on March 6, 2012. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in William Lawes, Les Voix Humaines's "Lawes: Royall Consorts" album is number 16 out of 37. Based on our statistics, The Royall Consort Sett No. 7 in A Minor: IV. Corant - Saraband's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Royall Consort Sett No. 7 in A Minor: IV. Corant - Saraband by William Lawes, Les Voix Humaines to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
The music key of this track is F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Envy Of The Night | William Lawes, James Shirley, Sara Macliver, Australian Brandenburg Orchestra, Paul Dyer | A Major | 1 | 11B | 84 BPM | ||
A Sonata of Scots Tunes: II. Ettrick Banks (Adagio) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | D♭ Major | 1 | 3B | 95 BPM | ||
Concert LXVI: Tombeau. Les Regrets | Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger | B♭ Minor | 1 | 3A | 153 BPM | ||
Concerto V in G Minor: III. Grave | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM | ||
Lawes: Consort Set No. 8 for 6 Viols in F Major, VdGS 90-93: IV. Aire | William Lawes, Fretwork | F Major | 1 | 7B | 85 BPM | ||
32 courantes: No. 10, L'immortelle in D Minor | Ennemond Gaultier, Rolf Lislevand | D♭ Minor | 1 | 12A | 129 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
12 Sonatas, Opera XVI, Op. 16 No. 1 (Excerpts): II. Largo | Isabella Leonarda, Emanuele Breda, Barbara Mauch-Heinke, Daniela Wartenberg, Toshinori Ozaki, Sofya Gandilyan | A Minor | 2 | 8A | 127 BPM | ||
Cecchina (Corrente) | Bellerofonte Castaldi, Evangelina Mascardi | D Minor | 1 | 7A | 90 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VI. Minuet | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 85 BPM |
Section: 0.5135715007781982
End: 0.518233060836792