"Fauré: 3 Songs, Op. 8: No. 1, Au bord de l'eau" by Gabriel Fauré, Sabine Devieilhe, Alexandre Tharaud was released on September 11, 2020. With Fauré: 3 Songs, Op. 8: No. 1, Au bord de l'eau being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 29 in Chanson d'Amour by Sabine Devieilhe, Alexandre Tharaud. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Fauré: 3 Songs, Op. 8: No. 1, Au bord de l'eau is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Fauré: 3 Songs, Op. 8: No. 1, Au bord de l'eau by Gabriel Fauré, Sabine Devieilhe, Alexandre Tharaud is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, Op. 48: Offertoire | Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short | D Major | 0 | 10B | 74 BPM | ||
Six Lieder, Op.13: 1. Ich stand in dunklen Träumen | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | E♭ Major | 0 | 5B | 68 BPM | ||
Ravel: 3 Chansons, M. 69: No. 2, Trois beaux oiseaux du paradis | Maurice Ravel, Sabine Devieilhe, Alexandre Tharaud | A♭ Major | 0 | 4B | 79 BPM | ||
Strauss, R: 3 Lieder, Op. 29: No. 2, Schlagende Herzen | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Petite messe solennelle: Agnus Dei | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Delphine Galou | C Major | 1 | 8B | 74 BPM | ||
Oiseaux, si tous les ans, K.307 - Live | Wolfgang Amadeus Mozart, Cecilia Bartoli, Jean-Yves Thibaudet | C Major | 1 | 8B | 198 BPM | ||
Ravel: Cadence for the Video by Yoann Bourgeois (On Adagio from Ravel's Concerto in G, M. 83) | Maurice Ravel, Alexandre Tharaud | E Major | 1 | 12B | 70 BPM | ||
Bach, JS: Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 2, Chöre, Arioso und Aria. "Gottes Zeit ist die allerbeste Zeit" (Arr. Kurtág for Piano 4-Hands) | Johann Sebastian Bach, Alexandre Tharaud, David Fray | B Minor | 0 | 10A | 111 BPM | ||
Carmen, WD 31 / Act I: Séguedille et Duo: "Près des remparts de Séville" | Georges Bizet, Elina Garanca, Roberto Alagna, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | F♯ Major | 1 | 2B | 127 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM |
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