"Concert Fantasy on Mozart's Die Zauberflote, Op. 54" by Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo was released on April 5, 2011. Concert Fantasy on Mozart's Die Zauberflote, Op. 54 appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Sarasate: Music for Violin and Orchestra, Vol. 3". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Concert Fantasy on Mozart's Die Zauberflote, Op. 54 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concert Fantasy on Mozart's Die Zauberflote, Op. 54 by Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
The Last Rose of Summer "Étude No. 6" | Heinrich Wilhelm Ernst, Ruggiero Ricci | G Major | 1 | 9B | 102 BPM | ||
Navarra, Op. 33 | Pablo de Sarasate, Itzhak Perlman, David Garvey | A Major | 2 | 11B | 101 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Capriccio for Solo Viola, Op. 55 | Henri Vieuxtemps, Antoine Tamestit | C Minor | 0 | 5A | 126 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
La Dame Blanche de Boildieu, Op. 3 - Remastered | Pablo Martin Meliton Sarasate, Pablo de Sarasate | D Major | 1 | 10B | 78 BPM | ||
Violin Sonata No. 1 in G Major, Op. 78: Vivace ma non troppo | Johannes Brahms, Ilya Kaler, Alexander Peskanov | D Major | 1 | 10B | 78 BPM | ||
Leclair: Sonata for 2 Violins in E Minor, Op. 3, No. 5: I. Allegro, ma poco | Jean-Marie Leclair, Itzhak Perlman | E Minor | 2 | 9A | 129 BPM |
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