Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani's 'Aida: Act I: Nume, custode e vindice' came out on June 8, 1995. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Aida by Giuseppe Verdi. The song's track number on the album is #14 out of 60 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Aida: Act I: Nume, custode e vindice is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Aida: Act I: Nume, custode e vindice by Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani has a tempo of 60 beats per a minute, the tempo markings of this song would be Lento (slowly). With Aida: Act I: Nume, custode e vindice being at 60 BPM, the half-time would be 30 BPM with a double-time of 120 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Puccini: Turandot, Act 3: "Nessun dorma" (Calaf) | Giacomo Puccini, Plácido Domingo, Nello Santi, Orchester der Deutschen Oper Berlin | D Major | 4 | 10B | 134 BPM | ||
La traviata / Act I: "E strano! ... Ah, fors'è lui" | Giuseppe Verdi, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 74 BPM | ||
Rigoletto / Act 1: "Zitti, zitti...Soccorso, padre mio" | Giuseppe Verdi, Joan Sutherland, Sherrill Milnes, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 87 BPM | ||
Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
Madama Butterfly, Act I: Quanto cielo!....Ancora un passo or via (Coro/Butterfly/Sharpless) - 1986 Remastered Version | Giacomo Puccini, Renata Scotto, Rolando Panerai, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Gianni Lazzari, Sir John Barbirolli | F♯ Major | 2 | 2B | 87 BPM | ||
Carmen (1997 - Remaster), Act I: Sur la place | Georges Bizet, Andréa Guiot/Claude Calès/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
Rigoletto / Act 2: Cortigiani, vil razza dannata (Rigoletto) | Giuseppe Verdi, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | D♭ Major | 2 | 3B | 86 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | D Major | 1 | 10B | 134 BPM |
Section: 0.7747838497161865
End: 0.7791621685028076