"Martin: Polyptyque: I. Image des Rameaux" by Frank Martin, Yehudi Menuhin, Edmond De Stoutz, Zürcher Kammerorchester, Menuhin Festival Orchestra had its release date on January 22, 2016. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 212 in the song's album "The Menuhin Century - Historic Recordings". In this album, this song's track order is #148. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Martin: Polyptyque: I. Image des Rameaux is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Martin: Polyptyque: I. Image des Rameaux by Frank Martin, Yehudi Menuhin, Edmond De Stoutz, Zürcher Kammerorchester, Menuhin Festival Orchestra having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein Totentanz zu Basel im Jahre 1943: Scene 5: Death and the rich Man | Frank Martin, Edith Habraken, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert | E Minor | 4 | 9A | 164 BPM | ||
Pocket Poetry No. 2 "Hijo": III. Dolor y Recuerdos | Hugo Pinheiro, Amanda Aparicio, Edgar Gonsales | A♭ Minor | 1 | 1A | 144 BPM | ||
If Ye Love Me - Tallis | Octarium | F♯ Major | 0 | 2B | 64 BPM | ||
Shir | Paolo Spoladore | E Major | 2 | 12B | 129 BPM | ||
Gabrieli, A: Intonatione del primo tono | Andrea Gabrieli, James O'Donnell | C Major | 1 | 8B | 68 BPM | ||
Wie lieblich sind deine Wohnungen | Johann Hermann Schein, Vox Luminis, Lionel Meunier | D Minor | 1 | 7A | 105 BPM | ||
Three Songs, Op. 42: I. Abendständchen | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
Crucero Weekend | Crucero Vibes | D♭ Major | 1 | 3B | 159 BPM | ||
3 Geistliche Gesänge, Op. 69: No. 3, Abendlied | Josef Rheinberger, Singer Pur | E♭ Major | 1 | 5B | 135 BPM | ||
Martin: Polyptyque for Violin and 2 Small String Orchestras: III. Image de Juda | Frank Martin, Yehudi Menuhin, Edmond De Stoutz, Zürcher Kammerorchester, Menuhin Festival Orchestra | F Major | 3 | 7B | 90 BPM |