Louis Couperin, Massimo Berghella made "Harpsichord Suite No. 6 in A Minor: CVII. Sarabande" available on June 30, 2023. The duration of Harpsichord Suite No. 6 in A Minor: CVII. Sarabande is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Harpsichord Suite No. 6 in A Minor: CVII. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 47 out of 129 in Couperin: Complete Harpsichord Music by Louis Couperin, Massimo Berghella. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Harpsichord Suite No. 6 in A Minor: CVII. Sarabande is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Harpsichord Suite No. 6 in A Minor: CVII. Sarabande by Louis Couperin, Massimo Berghella is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegretto in A Major | Carl Friedrich Abel, Paolo Pandolfo | A♭ Major | 0 | 4B | 129 BPM | ||
Sonata in G Minor, Z. 780: I. Adagio - Allegro - Largo - Vivace | Henry Purcell, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Sonata terza in G minor, Parte Prima: II. Vivace | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Mystery (Rosary) Passacaglia in G Minor | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen | F♯ Minor | 0 | 11A | 171 BPM | ||
Trio Sonata in G Minor, RV 85: I. Andante molto | Antonio Vivaldi, Roy Goodman, Paul O'Dette, The Parley of Instruments, Peter Holman | D♭ Minor | 2 | 12A | 135 BPM | ||
Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 2 Les Niais de Sologne - Doubles des Niais - Autre Double | Jean-Philippe Rameau, Jean Rondeau | C Major | 5 | 8B | 117 BPM | ||
Suite in C Major: 18. Courante | Louis Couperin, Christophe Rousset | F Major | 3 | 7B | 77 BPM | ||
Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 110 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
Sonata in E Minor, Kk. 98 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM |
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