- BPM
- 88
- Key
- D Major
- Camelot
- 10B
Konzertstück in D Major for Cello & Orchestra, Op. 12: III. Tempo I - Ernst von Dohnányi, Andrei Ioniță, Deutsche Staatsphilharmonie Rheinland-Pfalz, Modestas Pitrenas Information
- Acousticness
- 93%
- Danceability
- 11%
- Energy
- 4%
- Instrumentalness
- 92%
- Liveness
- 11%
- Loudness
- 56%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 1%
- Loudness
- -26.578 dB
Summary
"Konzertstück in D Major for Cello & Orchestra, Op. 12: III. Tempo I" by Ernst von Dohnányi, Andrei Ioniță, Deutsche Staatsphilharmonie Rheinland-Pfalz, Modestas Pitrenas had its release date on February 4, 2022. This song appears to be safe for all ages as it is not explicit. The song is number 20 out of 20 in Dohnányi: Concertos by Ernst von Dohnányi, Sofja Gülbadamova, Deutsche Staatsphilharmonie Rheinland-Pfalz, Modestas Pitrenas. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Konzertstück in D Major for Cello & Orchestra, Op. 12: III. Tempo I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Konzertstück in D Major for Cello & Orchestra, Op. 12: III. Tempo I BPM
The tempo marking of Konzertstück in D Major for Cello & Orchestra, Op. 12: III. Tempo I by Ernst von Dohnányi, Andrei Ioniță, Deutsche Staatsphilharmonie Rheinland-Pfalz, Modestas Pitrenas is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Konzertstück in D Major for Cello & Orchestra, Op. 12: III. Tempo I Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | |
 | Piano Concerto in G Major, M. 83: II. Adagio assai (3) | Maurice Ravel, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 90 BPM | |
 | Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): IVa. Pas de deux. Adagio | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM | |
 | Nocturne to Luz Ofelia | Leonardo Le San | E♭ Minor | 1 | 2A | 94 BPM | |
 | Variation 5: Piu mosso | Ernst von Dohnányi, Eldar Nebolsin, Buffalo Philharmonic Orchestra, Joann Falletta | C Major | 2 | 8B | 123 BPM | |
 | The Seasons, Op. 37a: No. 10, Autumn Song (Arr. for Piano Trio by Louis Eaton) | Pyotr Ilyich Tchaikovsky, Christoph Croisé, Andrey Baranov, Alexander Panfilov | A Major | 4 | 11B | 119 BPM | |
 | Sonate Op. 64: III. Adagio | Mel Bonis, Juliette Hurel, Hélène Couvert | D♭ Major | 0 | 3B | 90 BPM | |
 | Images, Première serie, L. 110: No. 1, Reflets dans l'eau | Claude Debussy, Saskia Giorgini | B Minor | 1 | 10A | 63 BPM | |
 | Piano Concerto No. 1 "Scapegoat": Scherzando | George Lloyd, Martin Roscoe, BBC Philharmonic | F♯ Major | 2 | 2B | 95 BPM | |
 | Ruralia hungarica, Op. 32a: III. Adagio "Gypsy Adagio" (Arr. for Violin & Orchestra) | Fritz Kreisler, Ernst von Dohnányi, Jascha Heifetz, Concert Hall Symphony Orchestra, Unknown Artist, Howard Barlow | G Minor | 2 | 6A | 61 BPM |
- ISRC
- DEB262100820
- Label
- L-M Records/RCA Records