Ernst von Dohnányi, Eldar Nebolsin, Buffalo Philharmonic Orchestra, Joann Falletta's 'Variation 5: Piu mosso' had a release date set for May 25, 2010. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 29 in Dohnanyi: Variations on a Nursery Song by Ernst von Dohnányi, Joann Falletta. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Variation 5: Piu mosso's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variation 5: Piu mosso by Ernst von Dohnányi, Eldar Nebolsin, Buffalo Philharmonic Orchestra, Joann Falletta is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata in G Minor: II. Scherzo | Fanny Mendelssohn, Heather Schmidt | F♯ Major | 0 | 2B | 137 BPM | ||
Piano Concerto No. 2 in C Minor: III. Andante | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A Minor | 1 | 8A | 91 BPM | ||
Estampes, L. 100: 3. Jardins sous la pluie | Claude Debussy, Hans Henkemans | D♭ Minor | 1 | 12A | 98 BPM | ||
Salomea | Jasmin Reuter, World Chamber Orchestra | B♭ Minor | 2 | 3A | 172 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Concerto for cello and orchestra no. 1 in A Minor, Op. 14: II. Andante | Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | E Major | 0 | 12B | 86 BPM | ||
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
O, Cease Thy Singing (Oh Never Sing to Me Again), Op. 4 No. 4 | Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta | G Major | 2 | 9B | 87 BPM | ||
Serenade in C Major, Op. 10: Romanza: Adagio non troppo, quasi andante | Ernst von Dohnányi, Spectrum Concerts Berlin | F Major | 1 | 7B | 64 BPM | ||
Symphony No. 3 in D Minor, WAB 103 "Wagner" (1877 Version, Ed. L. Nowak): III. Scherzo. Ziemlich schnell | Anton Bruckner, ORF Vienna Radio Symphony Orchestra, Markus Poschner | G Major | 2 | 9B | 77 BPM |