Antonio Vivaldi, Le Orfanelle Della Pieta, Nollaig Casey, Emer Mayock, Robert Harris, Dónal Siggins made "Vivaldi, De Courson & Le Berre: O'stravaganza (After Vivaldi's Sinfonia, RV 168)" available on January 1, 2001. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "O'stravaganza, Fantasy on Vivaldi and the Celtic Music of Ireland". In this album, this song's track order is #1. Based on our statistics, Vivaldi, De Courson & Le Berre: O'stravaganza (After Vivaldi's Sinfonia, RV 168)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Vivaldi, De Courson & Le Berre: O'stravaganza (After Vivaldi's Sinfonia, RV 168) by Antonio Vivaldi, Le Orfanelle Della Pieta, Nollaig Casey, Emer Mayock, Robert Harris, Dónal Siggins having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manden Mandinkadenou (Chant de griot) | Jordi Savall, Kassé-Mady Diabaté, Mamani Keïta, Nana Kouyate, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery | C Major | 3 | 8B | 62 BPM | ||
Already Gone | Yann Tiersen | D Minor | 4 | 7A | 104 BPM | ||
Misourlou | Klezmerson | D Major | 5 | 10B | 184 BPM | ||
Pull to Stop the Engine | Diwall | C Major | 6 | 8B | 138 BPM | ||
Suite n. 1 in G major, BWV 1007: I. Prelude | Johann Sebastian Bach, Ophélie Gaillard | F♯ Major | 1 | 2B | 79 BPM | ||
Klezmer Dance No. 2 | Göran Fröst, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 2 | 7A | 87 BPM | ||
Suite pour violoncelle No.1 en sol majeur, BWV 1007: Praeludium | Johann Sebastian Bach, Christian-Pierre La Marca | G Minor | 3 | 6A | 200 BPM | ||
Le Carnaval des Animaux: Aquarium | Camille Saint-Saëns, Irena Grafenauer, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel, Edith Salmen-Weber | A Minor | 0 | 8A | 134 BPM | ||
Les Folies d'Espagne | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 0 | 12A | 108 BPM | ||
Concerto In D Major For 2 Violins, Strings & Continuo, RV 511: 2. Largo | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | E Minor | 0 | 9A | 75 BPM |
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